Category: NMCC + UO Events

Jeremiah Favara- Yeti Campus Stories & Sexism in the Digital College Party Scene

Yeti Campus Stories & Sexism in the Digital College Party Scene

Tuesday, April 19
4:00 PM
Allen Hall 141


JeremiahNMCCShelfie2Join NMCC student Jeremiah Favara for his talk on college party culture through the lens of social media app Yeti: Campus Stories. This presentation will examine how social media can be used to either perpetuate or counter sexism on college campuses.

Jeremiah is a PhD student in the School of Journalism and Communication and a Graduate Teaching Fellow in the Department of Women’s and Gender Studies. He is interested in the intersections of media, technology, nation, and gender in representations of militarization.

The event is supported by the SOJC Research Presentation Series, the New Media and Culture Certificate, and the Department of Women’s and Gender Studies.


[embeddoc url=”https://blogs.uoregon.edu/newmediaculture/files/2016/03/Yeti-Poster-paigmv.pdf” height=”300px” download=”all” viewer=”google”]


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Data Storytelling Workshop


Data Storytelling Workshop

Monday, April 18th
12:00-6:00 PM
George S. Turnbull Center, Portland, OR


popup“Data is everywhere. Big data. Local data. Personal data. Data is an increasingly powerful – yet invisible – force which is shaping many facets of our lives.

For creatives, this presents a number of unique opportunities. Journalists are able to find unique stories hidden in datasets which help to hold authority to account or explain the world around us. Meanwhile, designers and coders can visualize data driven stories in new and powerful ways.

This half-day workshop will bring together people from different disciplines to talk about the way that data is influencing their work. We’ll hear from a Pulitzer prize winning journalist turned educator, the Assistant Masthead Editor / Director of the award-winning graphics desk at the New York Times, data companies and development agencies.

Through this, attendees will leave with a better understanding of how to tell stories through data and the tools available to enable them to do this.

As the data bandwagon gathers speed, this event will show how anyone can hop on board, so that you too can take advantage of the storytelling opportunities afforded by the data revolution.”


“Tentative Schedule:


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UO What is Media? Conference: April 14-16, 2016

what is media


April 14-16, 2016
University of Oregon in Portland, OR


What is Media? (2016) –– the sixth annual “What is . . . ?” conference-experience –– features a unique coalescing of media scholars, government and community officials, industry professionals, alumni, and students, as well as artists, filmmakers, grassroots community organizations, and the public. With media representing a wider and wider range of concepts, products, services, and institutions, the definition of media continues to be in a state of flux. What is media today? How is media studies defined? How have media technologies transformed media theory and practice? What are the futures of media and how are they evolving? What is Media? coincides with the UO School of Journalism and Communication’s 2016 centennial celebration!”

For a complete schedule of events, see the Preliminary Program


2016 Johnston Lecture:

“Three Reporting Cultures: Designing Humans in and Out of the Future of Journalism”

John Markoff, Senior Journalist for the New York Times

Thursday, April 14 at 5:30 PM

markoff“John Markoff began writing about technology in 1976 and joined The Times in 1988. In 2013 he was part of the team awarded a Pulitzer Prize in explanatory reporting as part of a New York Times project on labor and automation. In 2007 John became a member of the International Media Council at the World Economic Forum, and he was named a fellow of the Society of Professional Journalists, the organization’s highest honor. He is the author of:Machines of Loving Grace: The Quest for Common Ground Between Humans and Robots (HarperCollins/The Ecco Press, 2015); Waves of Democracy: Social Movements and Political Change (2nd ed., Sage, 2014); and What the Dormouse Said: How the Sixties Counterculture shaped the Personal Computer Industry (Viking Books, 2005). He graduated with a Bachelor of Arts in Sociology from Whitman College (1971) and an Master of Arts in Sociology from the University of Oregon in 1976.”


Map to the event:


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SOJC Research Presentation Series: The Paranoid Style in American Television


Friday, April 1
12:00 PM
Allen Hall


Presentation by SOJC Associate Professor Gretchen Soderlund and SOJC doctoral student Patrick Jones.” More information to follow

“Gretchen Soderlund is the author of Sex Trafficking, Scandal, and the Transformation of Journalism, 1885-1917 and editor of Charting, Tracking, and Mapping: New Technologies, Labor, and Surveillance, a special issue of the journal Social Semiotics. Her articles on media history, gender, sexuality, and technology have appeared in Feminist Formations, The Communication Review, Humanity, Critical Studies in Media Communication, and Sexuality Research and Social Policy Studies. Soderlund is currently working on a history of sensationalism in the British and American press.”


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Work-In-Progress Talk: Kate Mondloch

 

Kate Mondloch: OHC Research Fellow, History of Art and Architecture

Friday, March 11th
12:00 PM
PLC 159


Kate_MondlochJoin NMCC’s director, Kate Mondloch, for her Work-In-Progress talk about “New Media Art, Feminism, and Technoculture 1990-present.” Visit the event page for more information.

“Kate Mondloch completed her undergraduate work in the School of Foreign Service at Georgetown University and earned both her M.A. and Ph.D. in art history from UCLA. She joined the University of Oregon’s Department of the History of Art and Architecture in 2005. Prof. Mondloch teaches courses in contemporary art and theory and directs the university’s New Media and Culture graduate certificate program. Her research interests focus on late 20th- and early 21st-century art, theory, and criticism, particularly as these areas of inquiry intersect with the cultural, social, and aesthetic possibilities of new technologies. Her research fields are wide-ranging and include screen-based media art and theory, postwar sculpture, contemporary craft, feminism, digital culture, science and technology studies, and the digital humanities. She is interested especially in theories of spectatorship and subjectivity, and in research methods that bridge the sciences and the humanities.  Prof. Mondloch is the author of Screens: Viewing Media Installation Art (University of Minnesota Press, 2010) and has been published in a variety of journals, including Art Journal, Feminist Media Studies, Leonardo, and Vectors. She has been awarded research fellowships from the American Council of Learned Societies (ACLS), the University of California Humanities Research Institute, and the Oregon Humanities Center. Prof. Mondloch received the University of Oregon’s Faculty Excellence Award in 2013. She currently serves on the editorial board of Art Journal.”


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Demystifying: Social Media in the Pacific Northwest

Zach Hyder, Partner at Quinn Thomas Public Affairs

Friday, March 4th
3:00-4:00 PM
Allen Hall, Room 140


hyder“How is social media changing public discourse in the Pacific Northwest and is this technology impeding critical thought or great new  pathways for greater civic engagement, corporate and political accountability, and journalistic integrity?

This session will use Quinn Thomas’ recently published research to address complex questions about the role that social media plays in shaping opinions about current events, electoral politics and policy; as well as the role of social media in tackling issues of of diversity and plurality of thought.”

For more information, visit the event page.


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Art and Feminism Wikipedia Edit-A-Thon

art and feminism


Saturday, March 5, 2016
12:00-5:00 pm
AAA Library
Bring your laptop, power cord, and ideas for entries that need updating or creation.


Wikimedia’s gender trouble is well-documented. In a 2011 survey, the Wikimedia Foundation found that less than 10% of its contributors identify as female. The reasons for the gender gap are up for debate; suggestions include leisure inequality, how gender socialization shapes public comportment, and the sometimes-contentious nature of Wikipedia’s talk pages. The practical effect of this disparity, however, is not. Content is skewed by the lack of female participation. This represents an alarming absence in an increasingly important repository of shared knowledge.

Join us at The Architecture and Allied Arts (A&AA) Library, 200 Lawrence Hall, 1190 Franklin Blvd, University of Oregon on Saturday, March 5th from noon to 5pm for a communal updating of Wikipedia entries on subjects related to art and feminism. We will provide tutorials for the beginner Wikipedian, reference materials, and refreshments.


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Ms Fembot 2016: A Digital Initiative for Civic Engagement

msfembot-bannerThe Annenberg School for Communication and Journalism, the Fembot Collective, Ms. Magazine, and the University of Oregon’s Center for the Study of Women in Society are sponsoring a two-day event focused on feminist innovation, education, and collaboration.


Day 1: Wikipedia Edit-a-Thon:

RSVP

“On Friday, March 11th we’ll convene at the Ms. Magazine’s offices in Beverly Hills to write historical figures that have been marginalized because of their gender, race, and sexuality into Wikipedia. Our Wikipedia Edit-a-Thon will not only contribute to the world of free and accessible knowledge, but will emphasize a conscious feminist approach so as to ensure the existence of a gender inclusive history of everything within Wikipedia’s vast database. At the Edit-a-Thon, we’ll be training people on how to navigate the content production system in Wikipedia, how to make effective and engaging entries that will outlive their creators, and how to improve on existing content with more robust citations, data, categories, infoboxes, etc. Join us as we ensure the digital legacy of women, trans, and/or gender non-conforming people in multiple discipline, fields, and periods of history!”

3 Tracks for this year’s event:

  1. Writing the history of athletics from the margins: documenting the careers of marginalized figures in college athletics
  2. Excavating the Ms. Magazine archives: generate Wikipedia content on-site from the Ms. Magazine, a political publication covering feminist content, archives in Beverley Hills
  3. Producing content with your own ideas: “ensure the presence of women, trans, and/or gender non-conforming people in multiple disciplines, fields, and periods of history. Bring your ideas along!”

 

Day 2: Un-Conference on Digital Tools for Civic Engagement

RSVP

“On, Saturday, March 12th, we’ll head over to USC to workshop and launch the first chapters of Fembot’s forthcoming textbook on Digital Tools for Civic Engagement. The un-conference begins with a series of lightening talks that introduce six digital tools and ways to harness them for feminist scholarship, activism, and civic engagement.In the afternoon, we’ll come together and vote on our three favorite feminist tools to tackle, followed by concurrent workshops where participants are trained on the basics and collaborate on applications. All three sessions will lay the groundwork for Fembot’s open access digital textbook on digital tools for civic engagement, which will be published through Fembot’s open access platform as part of the Fembot Toolkit.”


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NMCC Co-Sponsored Lecture: Micha Cárdenas

NMCC Co-Sponsored Lecture: Micha Cárdenas

February 24 at 6:00 PM


michacardenasmicha cárdenas is an artist/theorist who creates and studies trans of color movement in digital media, where movement includes migration, performance and mobility. cárdenas earned a PhD from the University of Southern California in Media Arts + Practice, where she was a Provost Fellow. cárdenas is a member of the artist collective Electronic Disturbance Theater 2.0. cárdenas’s solo and collaborative work has been seen in museums, galleries, biennials, keynotes, community and public spaces around the world. Her co-authored book, The Transreal: Political Aesthetics of Crossing Realities, was published by Atropos Press in 2012.” –From The University of Washington, Bothell.

More information to come. All questions should be directed to Margaret Rhee.


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