Category: NMCC + UO Events

October Shelfie: Kristen Wright

k-wright-selfieI am a fourth year PhD student in the Media Studies program in the School of Journalism and Communication. I came to grad school so that I could be around people who care as much as I do about how we interact with media on a daily basis. My interest in media also has a lot to do with being a parent.

My undergraduate degree is in Film and Communications from a critical perspective, a program that we used to have here at the U of O before it merged with the School of Journalism and Communications. My Master’s thesis looked at the way that parents mediate TV in the home and how that connects to values. I found that the choices that families make have less to do with values and more to do with lifestyle; i.e. daily activities, the need for time to do chores, make a meal, work or rest, as well as marital status, and personality. Watching TV is often a consequence (reward or punishment) for doing or not doing a specific task. These results led me to rethink the way I look at screen time and to examine potential benefits, as well as looking at the message that magazines, doctors and parent organizations are giving parents about what is good or bad for kids when it comes to media.

I don’t think it is possible to study youth, technology and media, without diving into the academic area of New Media. The way we interact with content is rapidly changing, so I my current research focus includes TV as well as video games, YouTube and all types of social media. The graduate affairs committee recommended to me that I include the New Media Culture Certificate in my schedule. I’m glad that I did. The variety of classes that I have been exposed to because of this certificate have introduced me to supplementary historical context, methodology and philosophy – all of which I will be using as I conduct my research and write my dissertation. It has also been valuable to get to know NMCC students from other disciplines, and to have discussions that include perspectives from outside of the Media Studies program.

Balancing life, school and technology is a significant part of my daily existence. I blog with my son about it at: https://techlife2016blog.wordpress.com/

Useful Resource for new media students:

The New Media Reader: https://mitpress.mit.edu/books/new-media-reader

The App Generation: https://www.amazon.com/App-Generation-Navigate-Identity-Imagination/dp/0300209347/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr

The Routledge Companion to Video Game Studies: https://www.routledge.com/The-Routledge-Companion-to-Video-Game-Studies/Wolf-Perron/p/book/9780415533324

Never Send a Human to Do a Machine’s Job: https://www.amazon.com/Never-Send-Human-Machines-Job/dp/1452282579/ref=asap_bc?ie=UTF8

Updating to Remain the Same: Habitual New Media: https://mitpress.mit.edu/books/updating-remain-same

A&AA Study Abroad Opportunities!

Are you interested in studying Art, Architecture, or Historic Preservation abroad!? Come find out about the many courses, locations, and funding opportunities available!

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Visiting Artist Lecture Series: Benjamin Levy

Benjamin Levy – Technically Conceptual / Conceptually Technical: Stanley William Hayter and the Atelier 17

artwork produced in printshopThursday, October 20, 2016  6:00pm, Lawrence Hall – Rm 177

Calder, Miró, Kandinsky, Masson, Picasso, Nevelson, Bourgeois, Pollock. These are just a few of the names of the myriad artists associated with the Atelier 17, the collaborative print workshop founded by Stanley William Hayter in 1927 in Paris. Hayter would come to have an enormous effect on modern printmaking through not only his own work, but also through the workshop. The story of the Atelier 17 bridges the gap between pre- and post-WWII art, encompassing Surrealism and Modernism through Abstract Expressionism and beyond. The Atelier moved with the art world to New York from Paris, bringing with it an international and intergenerational group of artists. This melting pot of creative minds innovated and experimented both conceptually and technically with a profound emphasis on collaboration. Hayter was the nucleus around which artists investigated ideas, pedagogy, and technical innovations, and whose legacy paved the way for the post-war print boom.

Benjamin Levy is a curator, print scholar, and printmaker. He is currently the Assistant Curator of Collections and Academic Programs at the Henry Art Gallery at the University of Washington. Previously he was in the Prints, Drawings & Photographs Department at the Baltimore Museum of Art. While in Baltimore he co-directed the Baltimore Fair for Contemporary Prints and was a contributor to BmoreArt Magazine. A graduate of the Maryland Institute College of Art in Printmaking and Book Arts, he trained as a collaborative master printer. He is a contributor for Art in Print, sits on the board of the Tamarind Institute of Lithography, and is currently involved with a catalog and traveling exhibition of the work of Stanley William Hayter and his workshop, the Atelier 17.

 

CFP: 7th Annual “What is…?” Conference – What is Life?

sojc“Today, media constitute and permeate all avenues and forms of life – scale, pace, and pattern interact in private, public, and organic systems. As technology encompasses more and more practices and agents, and becomes evermore
malleable and fungible – What is Life? And, how is life mediated? In 2017 the seventh annual “What is…?” conference-experience investigates, imagines, and enacts everyday lifestyles and lifeworks by emphasizing the lifeworlds we inhabit. Our aim is to build bridges through multidisciplinary networks along with discovering how communication is instrumental in and for living systems.”

The event will bring together scholars, government and community officials, industry professionals, alumni and students, as well as scientists, artists, filmmakers, grassroots community organizations, and the public. It will feature plenary speakers, roundtables, paper presentations, installations, and special events.

Send 100-150 word abstracts/proposals by November 21, 2016, to: Janet Wasko • jwasko@uoregon.edu

Event Dates: April 6-8, 2017 in Portland, Oregon

*find full information on event and possible topics here*

Presentations/panels/installations may include the following topics (as well as others):logo

  • Communication and Media
  • Media and the Environment
  • Sustainability, Responsibility, and Beyond
  • Emergence, Synergy, and Regeneration

 

Conference Organizers: Janet Wasko (University of Oregon) and Jeremy Swartz (University of Oregon)

Agendamelding: How we use traditional and social media to create personal digital community

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The School of Journalism and Communication is proud to present a public lecture by Dr. Donald Shaw, professor emeritus at University of North Carolina’s School of Media and Journalism.

Wednesday, October 12 at 5:30pm to 7:00pm

Lawrence Hall, 115

“Modern media audiences are very active in the way they mix agendas from traditional and social media. In fact, audiences meld the agendas from these two types of media, along with their personal experiences, to find rewarding agenda communities. So, there is a potential loss in vertical power of traditional media and a gain in power of social media. The result is, we argue, a decline in the power and prestige of traditional institutions, including the traditional press, and a gain in connectivity of newly-empowered interest groups, including online communities. Ready for a flatter society? This is just a start.”

An Evening with Reza Aslan: Religion, Identity, and the Future of America

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Don’t miss this lecture by best-selling author, public intellectual, scholar of religions, producer, and television host, Reza Aslan. Aslan will deliver a lecture titled “An Evening with Reza Aslan: Religion, Identity, and the Future of America.”

Tuesday, October 18th

7:30 p.m. in 156 Straub Hall.

“Through the lens of his own experience—his family fled Iran during the Revolution in 1979 and settled in the U.S. when Reza was seven—and the conflicts he faced as an immigrant growing up, Aslan will examine the crisis of identity that is currently gripping the U.S., and suggest some possible ways in which we should think differently about race, religion, and identity in order to abolish the hatred and discrimination that has led to this crisis. As Aslan points out, America has, from the beginning, been a diverse nation, built on immigration and ethnic diversity.

Reza Aslan is the author of the international bestsellers No god but God: The Origins, Evolution, and Future of Islam (2005), and Zealot: The Life and Times of Jesus of Nazareth (2013). He is also the author of Beyond Fundamentalism: Confronting Religious Extremism in the Age of Globalization (paperback edition, 2010), in addition to being the editor of two volumes: Tablet and Pen: Literary Landscapes from the Modern Middle East and Muslims and Jews in America: Commonalties, Contentions, and Complexities. His next book, The Story of God, will be published by Random House (release date TBA). He is a contributing editor to The Daily Beast, and he also has written for the Los Angeles Times, the New York Times, The Washington Post, the Boston Globe, The Guardian, The Nation, Slate, and The Christian Science Monitor.

In addition to his dedication to the written word (he is currently a professor of Creative Writing at UC-Riverside), Aslan believes in the power of other forms of media to educate and shape perceptions. He is a television producer and the founder, President, and CEO of Aslan Media Inc. which runs BoomGen Studios, a media company focused on providing alternative coverage of the Middle East and its diaspora communities. In addition, he is executive producer of a new ABC TV drama, Of Kings and Prophets, a dramatic retelling of the biblical story of King David, from shepherd to king and prophet. He is also the host of a new CNN spiritual adventure series titled “Believer” (set to debut in 2017), which follows Aslan as he immerses himself in various forms of worship, ritual, and rites of passage found in religious traditions from around the world. Aslan is a frequent guest on television and radio programs.

Aslan holds a BA in religious studies from Santa Clara University; a Masters of Theological Studies from Harvard Divinity School; a Master of Fine Arts from the University of Iowa’s Writers’ Workshop, and a PhD in the sociology of religions from UC Santa Barbara.”

The lecture is free and open to the public, and will be followed by a book sale and signing. It will be live-streamed at: ohc.uoregon.edu.

Seating is limited to 500; no tickets or reservations.

Doors will open at 7 p.m. For more information or for disability accommodations (which must be made by Oct. 11th) please call (541) 346-3934 or ohc@uoregon.edu

Oregon Rare Books Initiative Talk

 

The Oregon Rare Books Initiative is one of the many amazing resources here at the University of Oregon that fly under that radar – keep them in mind and don’t miss out on their first event of the year!

October 5, 2016

4:45 pm in the Browsing Room, Knight Library
Cynthia Herrup (History, USC, emerita)

Why pardons fail

“Whenever a presidency draws to its end, we Americans brace for the announcement of the president’s final pardons. We brace and then we complain: should George W Bush have commuted the sentence of Scooter Libby? Was it right for Bill Clinton to pardon financier Marc Rich? Had Gerald Ford promised in advance to pardon Richard Nixon? Pardons are meant to do good —to evoke mercy and to provide a necessary remedy to the sometimes overly harsh application of carousel_2_1the law, but it is far easier to name scandals attached to them than wrongs righted. We accept the necessity of pardons but we fret that they are unfair, socially biased and too often products of special access. We don’t lack for critiques of pardoning, but these critiques usually concentrate on the specifics of who gives pardons, who gets pardons, and who benefits from pardons. In this lecture I want to turn in a different direction, to show how the history of pardoning in the early modern era suggests that the problem with pardons lies in the concept of pardoning itself. By looking at the history of pardons in the tumultuous world of seventeenth-century England, we can begin to rethink why we have pardons and whether they can ever do what we expect of them.”

Thanks to a third year of funding from the Oregon Humanities Center and from the Andrew W. Mellon Fellowship of Scholars in Critical Bibliography at Rare Book School (UVA), as well as to support from our co-sponsors, Special Collections and University Archives and the Clark Honors College.

NMCC Open House!!

Friday October 14, 9:30-10:30am

Digital Scholarship Center, Rm 142, Knight Library

The New Graduate Resource Fair last week was a great success, now it’s time to follow it up with another!

Come join students and staff from across campus for a 348scasual coffee and snacks, and a chat about all things ‘new media and culture’!  Meet and connect with current and prospective participants, get a feel for the valuable interdisciplinary aspect of the program, and get your questions answered by the GE Emily Shinn and the Director, Professor Kate Mondloch.

We hope to see you there!

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ARTD 415/515: Video Art- Experimental Film

Looking for an NMCC class to take next fall? Try Euan Macdonald’s ARTD 415/515 Video Art: Experimental Film!

The End of Nature?

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Lying in my heap of Earth I can naturally dream of all sorts of things…”
-Franz Kafka, The Burrow

“This class continues to explore composition and the history, forms and ideas in video and film with an open focus on interdisciplinary production outside the conventions of mainstream, commercial industry. Participants will consider the characteristics of the appearance of things in the world, their purpose, histories, and social influences on the ecology. This class will also look at environmental aesthetics—how the human conception of nature has been represented by art, video/ film and populist media throughout history and examine the more recent conception of the anthropocene: the current epoch of geological time in which human activity has transformed the climate and ecology of the planet irrevocably. Participants will study composition involving a variety of media and undertake a series of self directed projects relating to their work, writings, readings. During the projects and assignments, participants are encouraged to be imaginative, independent, and resourceful; to trust their own intuition and experience, and be self- motivated in an open environment of cooperative engagement. Students will explore the complexities of perception; how their interests and ideas can be materialized and conveyed by exploring the multitude of representations occurring in any media. Emphasis will be placed on critical thinking and furthering the artistic vision of each student vis-à-vis experimentation, art making, research, and critical discourse. Students will gain an understanding that media such as video, film and photography, and sound are not simply reproductive imaging technologies for visual pleasure; rather that these media are dominant cultural techniques through which reality can be constituted.”


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The NMCC blog is on summer vacation!

PuddlesCongrats again to all of our 2016 graduates!

The NMCC blog will be on summer vacation for the next few months but will return in September to kick off the 2016-2017 school year! We wish everyone a safe and relaxing summer, and we look forward to seeing both new and returning NMCC students in the fall. Don’t forget to stop by our table at the annual Graduate Student Resource Fair!

See you in September for another great year with NMCC! 


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