“They’re Watching Us/We’re Watching Them: Civil Liberties Online” at Knight Library (March 10th)

“They’re Watching Us/We’re Watching Them: Civil Liberties Online,” Monday March 10th at 10am (Knight Library Browsing Room)

A roundtable discussion surveillance regimes and counter-surveillance resistance featuring members of the Electronic Frontier Foundation (eff.org), Oregon ACLU, UO Libraries, and Occupy Eugene.

Recent revelations of government surveillance corporate data collection are only the latest episodes in an ongoing struggle over the content and meaning of our ‘digital and informational civil liberties.’ Surveillance and dataveilance have long been with us, but recent technological advancements and legal decisions have raised the stakes.

Come listen to brief presentations from activists and investigators at leading national, state, and local organizations working on behalf of civil liberties, and then share your own experiences and questions afterward in an open discussion.

http://waynemorsecenter.uoregon.edu/theyre-watching-uswere-watching-civil-liberties-online/

“Contemporary Art in the Public Realm” at the Hearth Cafe (March 12th)

On Wednesday March 12th, Amanda Hunt, curator of Portland2014: A Biennial of Contemporary Art organized by Disjecta Contemporary Art Center, Portland, and Christopher Michlig and John Zerzan will host a public conversation on art in the public realm.

Hunt in dialogue with Michlig and Zerzan, whose public project Kiosk Kiosk Kiosk is featured in the biennial, will discuss processes of conceptualization and the role of public art and gesture in contemporary exhibition practices.

This is an excellent opportunity for students who are practicing artists and for those pursuing careers in contemporary art and curation to learn about how these fields intersect in professional practices.

EVENT DETAILS
Date: Wednesday, March 12th
Where: Hearth Cafe, Lawrence Hall
Time: Panel, 5:30-6:30PM; Q&A 6:30-7PM
Contact person: Kate Beaver, MA History of Art & Architecture program, katlyn@uoregon.edu

About the speakers:

Portland2014 Curator Amanda Hunt is based in Angeles, where she is Curator at Large for La><Art. She has worked at various galleries and institutions including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art. Hunt worked on two major arts initiatives in Los Angeles in 2012, including the Pacific Standard Time Performance and Public Art Festival, co-produced by LA><Art. Hunt is a graduate of the Curatorial Practice program at California College of the Arts, San Francisco.

Eugene-based Christopher Michlig is an artist making work in a wide range of media, primarily focusing on the manipulation of public formats of communication to explore, expose and upend the aesthetics of urban space. His work has been exhibited internationally, most recently in one-person exhibitions at Marine Contemporary, Los Angeles; VOLTA 8, Basel, Switzerland; Galleria Giuseppe, Pero, Milan; and devening projects +
editions, Chicago. His work has been published and reviewed in a number of publications. Michlig received an MFA in Sculpture from Art Center College of Design, Pasadena, California, in 2007. He is currently Assistant Professor of art at the University of Oregon.

John Zerzan is an American anarchist and primitivist philosopher and author. His works criticize agricultural civilization as inherently oppressive, and advocate drawing upon the ways of life of hunter-gatherers as an inspiration for what a free society should look like. Some subjects of his criticism include domestication, language, symbolic thought (such as mathematics and art) and the concept of time. His five major books are Elements of Refusal (1988), Future Primitive and Other Essays (1994), Running on Emptiness (2002), Against Civilization: Readings and Reflections (2005), and Twilight the Machines (2008).

About the projects:

Kiosk Kiosk Kiosk
A synthesis of the critical voice of anarchist author John Zerzan and artist Christopher Michlig’s interest in engaging public space and language itself, three kiosk cubes will be staged at public sites across Portland, standing as catalysts for latent possibility. The kiosks’ exteriors will integrate excerpts from Zerzan’s writing; free pamphlets featuring his full text will be distributed at each kiosk. www.biennial.disjecta.org/public

Portland2014: A Biennial of Contemporary Art
Presented by Disjecta Contemporary Art Center, Portland2014 is a major biennial exhibition celebrating artists who are defining and advancing contemporary art practices. Portland2014 will include exhibitions, events and performances in multiple locations throughout Portland from March 8 through April 27, 2014. Exhibitions in Disjecta’s 6,000 sq ft building in North Portland, Upfor Gallery in the Pearl District, White Box, University of Oregon in Portland in Old Town/China Town, and The Best Art Gallery in Portland in NE Portland, will be complemented through a series of public artworks, interventions and a Saturday Series of public
lectures and panels designed to engage diverse audiences by activating new contexts for contemporary art throughout the city. www.biennial.disjecta.org

Mellon Junior Faculty Fellow in Digital History, Washington and Lee University

Washington and Lee University invites applications for a Mellon Foundation postdoctoral fellowship for recent Ph.D.s in history who intend to pursue careers as teacher-scholars in a liberal arts college setting.  These two-year fellowships are open to candidates who earned their Ph.D.s in Spring 2012 or later.  Fellows will play an active role in helping to demonstrate innovative methods of teaching, making interdisciplinary connections and teaching new courses in neglected areas of the curriculum. Fellows will have a reduced teaching load to allow time for their own scholarly development.

The Department of History seeks a specialist in digital history with a concentration in ancient or any field in pre-1800 global or non-Western history.  Applicants should have experience with digital humanities pedagogies and using digital humanities tools in their scholarly research.

Review of applications will begin April 7, 2014. See application details here.

The Social, Cultural & Ethical Dimensions of “Big Data” (March 17th)

On March 17th, the Data & Society Research Institute, the White House Office of Science and Technology Policy, and New York University’s Information Law Institute will be co-hosting a public event entitled “The Social, Cultural, & Ethical Dimensions of ‘Big Data’ ”. The purpose of this event is to convene key stakeholders and thought leaders from across academia, government, industry, and civil society to examine the social, cultural, and ethical implications of “big data,” with an eye to both the challenges and opportunities presented by the phenomenon.

The public event will be held at the NYU Law School starting at 5:15PM on March 17, 2014. This event will be open to the public, but to attend you must RSVP here. Space is limited (if we reach capacity, you can add yourself to the waitlist on the RSVP page). The discussion will also be livestreamed from the Data & Society website.

Music Encoding Conference 2014, University of Virginia

You are cordially invited to attend the Music Encoding Conference 2014, which will be held 20-23 May at the University of Virginia in Charlottesville, Virginia, USA.

The encoding of symbolic music data opens new research paths to traditional music studies (from editing to analysis) and computational musicology, and constitutes a foundational tool for music bibliography and librarianship. The quest for a coherent and universal system for the digital representation of music notation has been pursued for decades and the recent accomplishments of the Music Encoding Initiative have garnered a great deal of attention in a wide range of music scholarship and in the broader digital humanities.

This conference aims to gather specialists in all the above areas, to discuss the current state of modeling, generation and use of music encoding, to exchange experiences, report on successful projects on major collections and composers, and to forge collaborations for future projects.

More details regarding the program, venue, registration and accommodation are available here. Registration will close on 30 April 2014.

Digital Humanities Librarian, Ohio State University

The Digital Humanities Librarian will establish and grow a dynamic, multifaceted program that addresses the growing demand for digital arts and humanities support on campus. Working with arts and humanities scholars, faculty and students, the Digital Humanities Librarian will foster successful adoption and application of digital arts and humanities approaches to research, teaching, and learning. The librarian will engage deeply with the Digital Arts and Humanities Working Group, the Digital Media Collective, ACCAD (Advanced Computer Center for the Arts and Design), and other campus entities to identify innovative and evolving digital tools and resources that advance scholarly investigation, while building upon the traditional cornerstones of  research methodologies in the arts and humanities disciplines. The librarian will be the liaison to the University’s Humanities Institute and will collaborate with faculty participating in Institute projects and initiatives funded by the College of Arts and Sciences, and will collaborate with the Head of Digital Initiatives in the Libraries on projects originating in the Institute. The Digital Humanities Librarian will be a change agent, partner, and resource person for subject librarians and special collections curators involved in facilitating faculty and student digital projects and will be expected to conduct regular environmental scans of the campus environment to identify emerging areas of interest.
Applications will be accepted until the positions are filled. Preference will be given to applications received by April 12, 2014. See application details here.

Lecturer in Information, School of Information and Library Studies at University College Dublin

The School of Information and Library Studies at University College Dublin invites applications for a five-year posts. The successful candidate will contribute significantly to the quality expansion of research in one or more of the following areas: digital curation, visualization / information design, informatisation of social/ organisational processes, information architecture, information systems design, related topics regarding the interplay of people, information, technology and social structures; and to participate effectively in the School’s educational programmes.

Closing date for applications is Monday, 31 March 2013 (GMT). See further details here.

Coding Practicum Opportunity in Spring Term (LIB 605)

By special request, John Russell of the DSC (Digital Scholarship Center) has generously agreed to offer a one-credit basic coding practicum for current NMCC students this Spring term. The hands-on practicum–LIB 605–will meet from 10-11 am on Friday mornings at the DSC (142 Knight Library). As requested, the topics will include HTML as well as some UNIX and web scraping techniques. To ensure that everyone gets enough individual guidance, this experimental course is limited to 8 students. Students will be admitted on a first-come, first-serve basis. To enroll, please contact John Russell for permission before 5 pm Friday, March 21 and he will add you to the class list: johnruss@uoregon.edu

“New Media, Race, and Participatory Politics: Democracy in the 21st Century”

photo of Cathy Cohen“New Media, Race, and Participatory Politics: Democracy in the 21st Century” with distinguished speaker Cathy Cohen at the Wayne Morse Center, Thursday, March 6th at 5pm

Cathy J. Cohen is the David and Mary Winton Green Professor of Political Science at the University of Chicago where she also served as the director of the Center for the Study of Race, Politics and Culture. She is the author of Democracy Remixed: Black Youth and the Future of American Politics (Oxford University Press 2010) and The Boundaries of Blackness: AIDS and the Breakdown of Black Politics(University of Chicago Press, 1999).