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Colloquium: Hybrid Practices in the Arts, Sciences & Technology

 

 

 

 

The Arts Research Collaboration initiative (ARC) at the Spencer Museum of Art continues its investigation of collaborative research bridging the arts and sciences with a colloquium on May 14, 2015, from 2:30–5:00 pm at the University of Kansas. The colloquium is free and open to the public, and will be livestreamed online. The event is a follow-up to the Museum’s recent international conference, “Hybrid practices in the arts, sciences, and technology from the 1960s to today.”

The colloquium opens with a talk by Shepherd Steiner, assistant professor of contemporary art history and theory in the School of Art, University of Manitoba, Canada. Steiner’s lecture, “Bernd and Hilla Becher: Spring Points, Technical Extensions, Degree Zero,” will examine the practice of a German conceptual art duo known for their extensive photographic series of the twentieth-century industrial landscape. The Bechers’ work raises questions about objectivity, technical knowledge, and scientific truth that can benefit critical reflection on hybrid art-science-technology research more generally.

Following Steiner’s talk, there will be a roundtable for conference participants to identify common threads in the research presented at the conference and to begin synthesizing that information to make it broadly relevant to the field. Viewers are encouraged to submit questions to the presenters via Twitter using @SpencerMuseum and #HybridPractices. Find out more

CALL FOR APPLICATIONS: FACULTY POSITIONS, INTERACTION AND VISUAL DESIGN AT UT DALLAS

School of Arts, Technology and Emerging Communication

Faculty Positions – Interaction and Visual Design (pac150213)

The University of Texas at Dallas seeks applications for appointment in fall 2015 to one or more tenure-system positions, rank dependent upon qualifications, in the area of interaction and/or visual design. Appointees will teach and conduct research with colleagues in the School of Arts, Technology and Emerging Communication. Professional design experience and active participation in the life of the design community is expected.

Preferred qualifications include experience with one or more of the following areas: strategic design, creative agency and/or startup experience, or university teaching experience. Qualified candidates should have an MFA, MDes, or PhD or related terminal degree, be well versed in design theory, and have at least 2 years of university-level teaching experience or professional equivalence in a closely related field.

Review of applications begins May 1, 2015, with a desired starting date of appointment being August 1, 2015. MFA, MDes, or PhD should be in hand by start date. Indication of gender and ethnicity for affirmative action statistical purposes is requested as part of the application. School hiring officials will receive notification when application materials are posted and are available for review.

To apply, applicants should submit (a) an online portfolio of work, (b) a current CV, (c) a letter of interest, including research and creative interests, (d) teaching evaluations if available (e) up to two sample syllabi if available, and (f) letters of recommendation from at least three professional references via the ONLINE APPLICATION FORM.

 

Digital Frontiers Conference Call For Papers: Extended Deadline!

Deadline extended to May 15!

Digital Frontiers seeks conference submissions that explore creativity and collaboration across disciplinary boundaries in the arena of public humanities and cultural memory for the fourth annual Digital Frontiers Conference and THATCamp, September 17-19, 2015 at the University of Texas at Dallas. Submissions may include individual papers, fully-constituted panels, birds-of-a-feather discussions, hands-on tutorials, or posters. They encourage presentations that incorporate audio-visual/multimedia elements.

Established in 2012 to respond to the need for an affordable, high-quality conference that addressed the emerging field of digital humanities from a variety of perspectives, Digital Frontiers is a truly interdisciplinary experience. The conference brings together scholars and students, librarians and archivists, genealogists and public historians to share their experience of using digital resources in the humanities.

They encourage contributions from anyone who creates or uses digital collections or tools for humanities work, including scholars, educators, genealogists, archivists, technologists, librarians, and students. The conference welcomes submissions from local and regional historical and genealogical societies, and anyone working in the public humanities. The goals of this conference are to bring a broad community of users together to share their work across disciplinary and administrative boundaries, and to explore the value and impact that digital resources have on education and research.

Possible Topics include but are by no means limited to:

  • Specific ways digital libraries have changed the state of humanities research
  • Digital tools and methods for conducting humanities research
  • New media tools for teaching and making in the classroom
  • Using digital collections in the humanities classroom
  • How digital preservation serves humanities research
  • Overcoming faculty resistance to digital humanities projects and resources
  • Theoretical interventions in cultural memory and public humanities (postcolonial DH, queering DH, radical making, etc.)
  • Incorporating DH into the classroom across humanities disciplines (including student perspectives)

Proposal Types

Digital Frontiers is accepting proposals for:

  • Individual papers/presentations
  • Panels
  • Posters (36”w x 48”h)
  • Praxis Notes
  • Birds-of-a-Feather Briefs
  • Hands-on Tutorials & Workshops

Individual Papers/Presentations

Abstracts for twenty minute papers/presentations should be no more than 250 words in length and represent original research (for project updates, please submit Posters; for single-institution “case studies” or best practices recommendations, please submit a Poster or Praxis Note); proposals for fully constituted panels or roundtables should include abstracts for each presentation.

Panels

Toward achieving the conference goals, we encourage panels to be organized to represent a range of professional backgrounds and experience.  Proposals that include diverse perspectives (i.e. faculty, students, community members, and/or archivists) will be given preference over homogenous panels. We also encourage alternative panel formats (pecha kucha, lightning talks followed by small group discussions, or others) that will facilitate dialogue and enlarge participation. Panels should represent original research on a common theme (for project updates, please submit Posters; for single-institution “case studies” or best practices recommendations, please submit a Praxis Note). Please submit one 100-word abstract for the overarching panel theme, along with 250-word abstracts for each paper.

Posters

Project updates, single-institution case studies, and preliminary research can be presented as an academic poster. Proposals should be in the form of an abstract of 250 words describing the topic to be presented. Please do not submit the final poster! Further guidelines and specifications will be provided upon acceptance. Poster presenters will pitch their poster topic during a “Minute Madness” round followed by a traditional poster session in which presenters can answer questions.

Praxis Notes

Short papers describing single-institution case studies, best practices recommendations, or interventions that are not research based but reflect practices at a single institution may be submitted as a Praxis Note. These papers will be presented in a lightning round (5 minute summaries) and will be placed in the Digital Frontiers Collection in the UNT Digital Library. Complete papers are due upon submission and will be peer reviewed for inclusion in the conference. Papers should be no more than 5 pages inclusive of notes and diagrams, in PDF, and adhere to ACM LaTeX2e Style http://www.acm.org/sigs/publications/proceedings-templates.

Birds-of-a-Feather Briefs

Birds-of-a-feather sessions are networking opportunities in which presenters will lead an informal discussion about a chosen topic for fellow practitioners. Proposals should be in the form of an abstract of 250 words describing the topic to be discussed.

Hands-On Tutorials

Share your knowledge about a research tool, software, or methodology. In 250 words, explain what kind of tutorial you plan to provide and how this tutorial is intended to benefit the audience. Keep in mind that technology may be limited in some conference spaces. How can you make your workshop portable and accessible for a conference audience?

Digital Frontiers is growing and we are excited to work with individuals to ensure that you are able to participate. Due to anticipated number of submissions, the program planning committee may request that an individual’s contribution be presented in an alternate format such as a Birds of a Feather Brief.

Peer Review

A panel of scholars will review proposals and make recommendations to the Program Committee.

Deadline

May 15, 2015

Submissions

Submit proposals online https://conference.library.unt.edu/ocs/index.php/df2015/

With all submissions, please include a brief professional bio (100 words or less – do not send CVs) for each presenter and specify any A/V or other technical needs with your proposal.

 

Read the full posting at http://digital-frontiers.org/conference/2015/info/call-proposals

CFP for the 2015 Queerness and Games Conference

2015 Call for Proposals OPEN NOW through June 15

The Queerness and Games Conference
October 16-18, 2015, UC Berkeley

 

The Queerness and Games Conference, an annual, community-oriented, nationally-recognized event dedicated to exploring the intersection of LGBTQ issues and video games, is accepting submissions for presentations at the 2015 conference now through June 15!

Accessibility, inclusion, and creativity are key values of QGCon. The QGCon seeks to foster dialogue between scholars, game developers, and game players. That makes QGCon different from many other conferences, and it means the audiences for your presentations will be diverse. You are encouraged to envision talks that are welcoming and engaging for attendees of all backgrounds. To get a sense for the tone of QGCon talks, feel free to check out the recordings of the 2014 and 2013 sessions. Proposals that incorporate opportunities for interaction and/or play are especially appreciated.

QGCon embraces an intersectional approach to queerness. QGCon welcomes submissions that address topics of gender, race, ability, body type, and class. This work reminds us that the struggles (and victories) of those of us who play from the margins are interconnected struggles.

FAQ’s:

What type of talk can I propose?
– Sessions types include presentations, panels, micro talks, workshops, roundtables, and performances
– You may propose to present solo, in pairs, or in small groups
– Let us know how much time you would like for your presentation. Solo talks normally run between 20 and 60 minutes, while workshops and performances sometimes need more time.

How do I submit?
To submit, please send a description of your proposed session (approximately 300-500 words) and a brief bio for each of your presenters (approximately 100-200 words) to submit@qgcon.com. Submissions are due no later than June 15, 2015. Also, please indicate what type of session you are proposing and your requested presentation length.

Are there topics or sessions you’re particularly interested in?
Yes! While we welcome all submissions that relate to queer issues and/or games, we would also love to see talks that address race, disability, gender, and class. We would also love to see more design post-mortems and more interactive workshops.

When will I find out if my talk has been accepted?
You can expect to hear back from the QGCon organizers about the status of your proposal by July 15. If you do not hear from us by late July, please feel free to get in touch.

What if I have questions?
To learn more about QGCon, please check out the information about the conference here at qgcon.com. If you have questions for the organizers, please feel free to get in touch by writing to contact@qgcon.com.

For more information on the conference: http://www.qgcon.com/what-is-qgcon/

Cinema Pacific Presents: Global Industries Forum with Eric Lin

Friday, May 1 at 12:30pm to 2:00pm

Allen Hall, Julie and Rocky Dixon Signature Classroom, Allen Hall 141
1020 University Street, Eugene, OR

Join Cinema Pacific for a conversation about the Chinese film industry with School of Journalism and Communication alum Eric Lin ’97, senior manager of film production at Bona Film Group, the largest privately owned film distributor in China. Moderated by Daniel Steinhart, SOJC assistant professor and NMCC affiliated faculty member.

Light reception to follow.

 

Assistant Editor, Civil War Governors of Kentucky Digital Documentary Edition

The Kentucky Historical Society (KHS) is a state agency and membership organization that is fully accredited by the American Alliance of Museums.  The KHS mission is to educate and engage the public through Kentucky history in order to confront the challenges of the future.

KHS is seeking an assistant editor to join the professional staff of the Civil War Governors of Kentucky Digital Documentary Edition.  This is a federally-funded, time-limited position, made possible by the National Endowment for the Humanities.

The assistant editor will work directly with the project’s director and staff in Frankfort, as well as conduct independent research trips to locate, control, and scan documents held in repositories across the nation. The assistant editor will be responsible for transcription, markup, proofing, fact-checking, and research for annotation, and will share responsibility with the project‘s director for overall editorial consistency of the edition.

The Civil War Governors of Kentucky Digital Documentary Edition (CWG -K) is a multi-year documentary-editing project dedicated to locating, imaging, transcribing, annotating, and publishing documents associated with all five of the state’s Civil War governors, including the three Union governors, Beriah Magoffin (1859-62), James F. Robinson (1862-63), and Thomas E. Bramlette (1863-67), and the two provisional Confederate governors, George W. Johnson (1861-62) and Richard Hawes (1862-65). This edition will focus on the period between November 1860, the date of Lincoln’s election as president, and the end of December 1865, roughly corresponding with the ratification of the Thirteenth Amendment, which ended slavery.

Each of these national milestones signaled a sea change in Kentucky’s political and social order.  Groundbreaking in its conceptualization, CWG-K will provide new ways to look at the society of this era. CWG-K is endorsed by the National Historical Publications and Records Commission. To learn more about the digital edition, go tocivilwargovernors.org.

MINIMUM REQUIREMENTS

·         M.A. in history; and

·         Valid driver’s license.

PREFERRED QUALIFICATIONS

·         A Ph.D. with research specialization in 19th century U.S. history.

·         Must be detail-oriented and possess excellent communication skills.

·         Working knowledge of or experience with documentary editing or digital humanities.

·         Proficiency with XML markup, particularly TEI encoding.

Starting monthly salary is $3,084.06.  Benefits include paid health and life insurance, vacation and sick leave, holiday pay, state retirement and optional deferred compensation plan.  This is a full-time position located in Frankfort KY.

To apply, e-mail complete dossier, including cover letter, c.v. or resume, transcripts, three letters of recommendation, and a short (20-30 printed page) writing sample (all files in MS-Word or PDF format), to khs.hr@ky.gov. No phone calls please.

Application deadline is May 1, 2015. Anticipated start date is June 16, 2015.Equal Opportunity Employer M/F/D

To learn more about the Kentucky Historical Society, go tohttp://history.ky.gov.

Visiting Assistant Professor at NYU Department of Media, Culture, and Communication

The Department of Media, Culture, and Communication in the Steinhardt School of Culture, Education and Human Development at New York University invites applications for a Visiting Assistant Professor starting September 1, 2015. This is a one-year nontenure track appointment that is renewable for an additional two years, depending upon department need and satisfactory performance.

The Department of Media, Culture, and Communication serves over 780 undergraduate majors and offers MA and PhD programs of study. The Department emphasizes interdisciplinary scholarship and encourages applications from a broad range of methodological perspectives. For more information please see: steinhardt.nyu.edu/mcc.

NYU is a large, private university located in the Greenwich Village area of New York City. For further information, visit www.nyu.edu.

Qualifications
The position is open to recent PhDs and doctoral candidates who will have completed their degrees by September 2015. Teaching experience is required.

Responsibilities 
The position will involve teaching three undergraduate courses each semester. NYU is  looking for someone who can teach a broad range of courses in media, culture, and technology, including but not limited to the study of consumer culture, social networking, mobile media, and advertising. The position will have no service obligations, but the successful candidate will be expected to be an active teacher engaged in the intellectual life of the department.

Applications
Please apply via e-mail with a letter of application, a curriculum vitae, evidence of teaching experience, and a writing sample of 25 pp. or less. Include the names of 3 references and their e-mail addresses in your letter of application (recommendation letters are not required at this point). Send your materials as attachments to mccnyusearch@gmail.com.

NYU is committed to building a culturally diverse educational environment and strongly encourages applications from historically underrepresented groups.

Review of applications will begin April 25 and will continue until the position is filled. Further information about the position can be obtained from: Lisa Gitelman, Chair, Department of Media, Culture and Communication

Job Opportunity: Deputy Director of Digital Initiatives, Graduate Center, CUNY

To apply, please visit the CUNYFirst website. Application materials must be submitted online by May 21, 2015.

The Graduate Center (GC) defines the standard of contemporary graduate education: rigorous academic training and globally significant research. lt is recognized for outstanding scholarship across the humanities, sciences, and social sciences, and is integral to the intellectual and cultural vitality of New York City. Through its extensive public programs, The Graduate Center hosts a wide range of events – lectures, conferences, book discussions, art exhibits, concerts, and dance and theater that enrich and inform.

The Graduate Center has been heavily engaged in digital humanities work. The school builds community platforms for scholarly engagementvisualizes cultural patterns in social media, explores innovative ways to access digital humanities tools, collaborates with others to create new forms of the book, hosts a digital humanities speaker series, encourages doctoral students to integrate technology and pedagogy, rethinks networked teaching and learning, sponsors innovative student projects, and supports digital fellows who work on and foster a range of exciting projects.

Based in the Provost’s Office and reporting to the Advisor to the Provost for Digital Initiatives, the Deputy Director of Digital Initiatives will join an institution with strong support for digital work and will be part of an enthusiastic and collaborative community of faculty members, graduate students, and staff working together to explore new digital humanities projects and opportunities.

Duties include but are not limited to:

– Directs the preparation and submission of 2-3 new grant proposals per year, and to maintain the management of successfully funded projects;

– Directs administration of the GC Digital Praxis Seminar, which introduces new doctoral and master’s students at the GC to digital humanities texts, projects, and practices;

– Works with the GC Digital Fellows Program and the Provost’s Digital Innovation Grants program, directing the arrangement of workshops and training sessions to help students improve their skills;

– Manages the GC Digital Scholarship Lab and related equipment;

– Serves as a liaison to academic programs, centers, and institutes partnered with GC Digital Initiatives;

– Directs initiatives associated with digital projects that are part of the Graduate Center’s Performance Management Process.

MINIMUM QUALIFICATIONS
Bachelor’s Degree and eight years’ relevant experience required.

OTHER QUALIFICATIONS
A preferred candidate should have:
– Extensive experience building and engaging communities around digital projects
– Experience working in a higher education institution
– Ph.D. degree in area(s) within the humanities and social sciences
– Past success working collaboratively in interdisciplinary environments
– Extensive project management experience
– Experience with a technical area of digital humanities, such as data visualization, text analysis, digital pedagogy, geospatial humanities, data curation, network analysis, or scholarly communication
– In depth familiarity with the most recent scholarship in the digital humanities
– Extensive experience with grant writing and management including financial and activity reporting
– Ability to monitor grants, budget, and expenditures to ensure that targets are met
– Two years of supervisory experience including handling personnel and recruitment actions
– A commitment to open-source code, open-access scholarship, and public education

COMPENSATION
Commensurate with experience and qualifications

BENEFITS
CUNY offers a comprehensive benefits package to employees and eligible dependents based on job title and classification. Employees are also offered pension and Tax-Deferred Savings Plans. Part-time employees must meet a weekly or semester work hour criteria to be eligible for health benefits. Health benefits are also extended to retirees who meet the eligibility criteria.

HOW TO APPLY
Please apply by visiting this link on CUNYFirst

Click on “Apply Now” which will bring you to the registration screen. If you are a new user, you must register to apply. If you already have a user ID, please use your existing ID to apply. Make sure to upload a cover letter, resume, and 3 professional references (name, title, organization, and contact information) by the closing date, May 21, 2015.

OR

Go to http://cuny.jobs/ and search for Job ID 12661. Follow the directions above and send all materials in by by the closing date, May 21, 2015.

MFA 2015 Thesis Exhibition, Opening May 8


Disjecta: 8371 N Interstate Avenue, Portland, Oregon 97217
May 8 – May 31, 2015
Opening: Friday, May 8, 2015, 6:00-9:00 p.m.
Gallery Hours Friday–Sunday, Noon–5:00 p.m.

The University of Oregon Department of Art 2015 MFA thesis exhibition presents the culminating work of ten master of fine arts graduate students. In writing the exhibition essay to accompany their work, Christie Hajela, graduate student in the UO Department of the History of Art and Architecture, says, “Collectively, the third-year MFA students invite us to explore the possibilities of the spaces in between their similarities and differences. There are no strict physical boundaries demarcating the end of one artist’s work and the beginning of another’s in this exhibition, and this nebulous “in-between” space ultimately aligns with the thematic intersection of these artists and their otherwise eclectic practices.”

The Department of Art’s interdisciplinary graduate program encourages students to work across disciplines, with focus in areas of sculpture, photography, painting, drawing, printmaking, digital arts, ceramics, fibers, and jewelry and metalsmithing. The MFA program is a three-year course of study that involves rigorous studio investigation, critical discourse, and conceptual development. Emphasis is placed on developing a curriculum tailored to the needs of the individual student while encouraging exploration and risk-taking

In the catalog, Hajela cites the work of French philosopher Jacques Derrida (1930-2004) and his essay “Différance.” In an excerpt from her essay, she says, “Derrida describes the structure of his discussion of differance through ‘assemblage,’ which reflects the ‘structure of an interlacing, a weaving, or a web, which would allow the different threads and different lines of sense or force to separate again, as well as being ready to bind others together.’ ” Viewers are invited to visit the exhibition, pick up an exhibition catalog that includes the complete essay and images of the work, and learn more about the explorations of the UO’s newest contemporary artists.

For more information, please contact UO Department of Art at 541-346-3610, or director of graduate studies, Christopher Michlig, assistant professor, at cmichlig@uoregon.edu.

Exhibiting Artists:

Farhad Bahram
Fei Chen
Matt Christy
Alex Krajkowski
Anne Magratten
Andrew Oslovar
Brandon Siscoe
Megan St. Clair
John Tolles
Jessie Rose Vala

Student Perspective: SOJC’s New Media and Democracy Conference

laura straitLaura Strait is a PhD student of Media Studies in the School of Journalism and Communication at the University of Oregon. She recently co-organized the New Media and Democracy Conference with Dr. Bish Sen, and fellow PhD student Patrick Jones. The conference investigated the changes in global political discourses and practices brought about by the digital revolution. The event was part of the Wayne Morse Center’s theme of inquiry on Media and Democracy. Below, Laura discusses the goals of the conference as well her own experience in organizing the event.


Co-organizing the conference with Dr. Bish Sen and Patrick Jones, was a fantastic experience in bringing cutting-edge international and interdisciplinary theoretical developments into a focused conversation about the current state of “new media and democracy.” The conference aimed to answer a number of questions: How do new media function as an instrument of democratic politics? What role can new media play in the formation of a public sphere? And, to what extent do digital technologies and practices create the conditions for new forms of participatory politics?

Dr. Sang Jo Jong of Seoul National University began this conversation as the keynote speaker, highlighting issues of internet and access in contemporary South Korea. This was taken up early the following day with a panel on informational institutions and their political implications, and followed by localized international work on various forms of new media and their political implications. All of the presentations were so fantastic, and I look forward to any further communication and/or collaboration between such distinguished scholars.

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Tarek El-Ariss participates in a discussion at the New Media and Democracy Conference
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Guest speakers Camille Crittenden and Leah Lievrouw participate in the New Media and Democracy conference.
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Matthew Adeiza and Joseph Straubhaar at the New Media and Democracy conference.
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Guest speaker Leah Lievrouw leads discussion at the New Media and Democracy conference.
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The guest speakers for the New Media and Democracy Conference (L to R): Tarek El-Ariss, Joseph Straubhaar, Camille Crittenden, Aswin Punathambekar, Purnima Mankekar, Leah Lievrouw, and Matthew Adeiza

 

For more information about the conference and guest speakers, please visit the conference website here.