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Cinema Pacific Presents: Global Industries Forum with Eric Lin

Friday, May 1 at 12:30pm to 2:00pm

Allen Hall, Julie and Rocky Dixon Signature Classroom, Allen Hall 141
1020 University Street, Eugene, OR

Join Cinema Pacific for a conversation about the Chinese film industry with School of Journalism and Communication alum Eric Lin ’97, senior manager of film production at Bona Film Group, the largest privately owned film distributor in China. Moderated by Daniel Steinhart, SOJC assistant professor and NMCC affiliated faculty member.

Light reception to follow.

 

Assistant Editor, Civil War Governors of Kentucky Digital Documentary Edition

The Kentucky Historical Society (KHS) is a state agency and membership organization that is fully accredited by the American Alliance of Museums.  The KHS mission is to educate and engage the public through Kentucky history in order to confront the challenges of the future.

KHS is seeking an assistant editor to join the professional staff of the Civil War Governors of Kentucky Digital Documentary Edition.  This is a federally-funded, time-limited position, made possible by the National Endowment for the Humanities.

The assistant editor will work directly with the project’s director and staff in Frankfort, as well as conduct independent research trips to locate, control, and scan documents held in repositories across the nation. The assistant editor will be responsible for transcription, markup, proofing, fact-checking, and research for annotation, and will share responsibility with the project‘s director for overall editorial consistency of the edition.

The Civil War Governors of Kentucky Digital Documentary Edition (CWG -K) is a multi-year documentary-editing project dedicated to locating, imaging, transcribing, annotating, and publishing documents associated with all five of the state’s Civil War governors, including the three Union governors, Beriah Magoffin (1859-62), James F. Robinson (1862-63), and Thomas E. Bramlette (1863-67), and the two provisional Confederate governors, George W. Johnson (1861-62) and Richard Hawes (1862-65). This edition will focus on the period between November 1860, the date of Lincoln’s election as president, and the end of December 1865, roughly corresponding with the ratification of the Thirteenth Amendment, which ended slavery.

Each of these national milestones signaled a sea change in Kentucky’s political and social order.  Groundbreaking in its conceptualization, CWG-K will provide new ways to look at the society of this era. CWG-K is endorsed by the National Historical Publications and Records Commission. To learn more about the digital edition, go tocivilwargovernors.org.

MINIMUM REQUIREMENTS

·         M.A. in history; and

·         Valid driver’s license.

PREFERRED QUALIFICATIONS

·         A Ph.D. with research specialization in 19th century U.S. history.

·         Must be detail-oriented and possess excellent communication skills.

·         Working knowledge of or experience with documentary editing or digital humanities.

·         Proficiency with XML markup, particularly TEI encoding.

Starting monthly salary is $3,084.06.  Benefits include paid health and life insurance, vacation and sick leave, holiday pay, state retirement and optional deferred compensation plan.  This is a full-time position located in Frankfort KY.

To apply, e-mail complete dossier, including cover letter, c.v. or resume, transcripts, three letters of recommendation, and a short (20-30 printed page) writing sample (all files in MS-Word or PDF format), to khs.hr@ky.gov. No phone calls please.

Application deadline is May 1, 2015. Anticipated start date is June 16, 2015.Equal Opportunity Employer M/F/D

To learn more about the Kentucky Historical Society, go tohttp://history.ky.gov.

Visiting Assistant Professor at NYU Department of Media, Culture, and Communication

The Department of Media, Culture, and Communication in the Steinhardt School of Culture, Education and Human Development at New York University invites applications for a Visiting Assistant Professor starting September 1, 2015. This is a one-year nontenure track appointment that is renewable for an additional two years, depending upon department need and satisfactory performance.

The Department of Media, Culture, and Communication serves over 780 undergraduate majors and offers MA and PhD programs of study. The Department emphasizes interdisciplinary scholarship and encourages applications from a broad range of methodological perspectives. For more information please see: steinhardt.nyu.edu/mcc.

NYU is a large, private university located in the Greenwich Village area of New York City. For further information, visit www.nyu.edu.

Qualifications
The position is open to recent PhDs and doctoral candidates who will have completed their degrees by September 2015. Teaching experience is required.

Responsibilities 
The position will involve teaching three undergraduate courses each semester. NYU is  looking for someone who can teach a broad range of courses in media, culture, and technology, including but not limited to the study of consumer culture, social networking, mobile media, and advertising. The position will have no service obligations, but the successful candidate will be expected to be an active teacher engaged in the intellectual life of the department.

Applications
Please apply via e-mail with a letter of application, a curriculum vitae, evidence of teaching experience, and a writing sample of 25 pp. or less. Include the names of 3 references and their e-mail addresses in your letter of application (recommendation letters are not required at this point). Send your materials as attachments to mccnyusearch@gmail.com.

NYU is committed to building a culturally diverse educational environment and strongly encourages applications from historically underrepresented groups.

Review of applications will begin April 25 and will continue until the position is filled. Further information about the position can be obtained from: Lisa Gitelman, Chair, Department of Media, Culture and Communication

Job Opportunity: Deputy Director of Digital Initiatives, Graduate Center, CUNY

To apply, please visit the CUNYFirst website. Application materials must be submitted online by May 21, 2015.

The Graduate Center (GC) defines the standard of contemporary graduate education: rigorous academic training and globally significant research. lt is recognized for outstanding scholarship across the humanities, sciences, and social sciences, and is integral to the intellectual and cultural vitality of New York City. Through its extensive public programs, The Graduate Center hosts a wide range of events – lectures, conferences, book discussions, art exhibits, concerts, and dance and theater that enrich and inform.

The Graduate Center has been heavily engaged in digital humanities work. The school builds community platforms for scholarly engagementvisualizes cultural patterns in social media, explores innovative ways to access digital humanities tools, collaborates with others to create new forms of the book, hosts a digital humanities speaker series, encourages doctoral students to integrate technology and pedagogy, rethinks networked teaching and learning, sponsors innovative student projects, and supports digital fellows who work on and foster a range of exciting projects.

Based in the Provost’s Office and reporting to the Advisor to the Provost for Digital Initiatives, the Deputy Director of Digital Initiatives will join an institution with strong support for digital work and will be part of an enthusiastic and collaborative community of faculty members, graduate students, and staff working together to explore new digital humanities projects and opportunities.

Duties include but are not limited to:

– Directs the preparation and submission of 2-3 new grant proposals per year, and to maintain the management of successfully funded projects;

– Directs administration of the GC Digital Praxis Seminar, which introduces new doctoral and master’s students at the GC to digital humanities texts, projects, and practices;

– Works with the GC Digital Fellows Program and the Provost’s Digital Innovation Grants program, directing the arrangement of workshops and training sessions to help students improve their skills;

– Manages the GC Digital Scholarship Lab and related equipment;

– Serves as a liaison to academic programs, centers, and institutes partnered with GC Digital Initiatives;

– Directs initiatives associated with digital projects that are part of the Graduate Center’s Performance Management Process.

MINIMUM QUALIFICATIONS
Bachelor’s Degree and eight years’ relevant experience required.

OTHER QUALIFICATIONS
A preferred candidate should have:
– Extensive experience building and engaging communities around digital projects
– Experience working in a higher education institution
– Ph.D. degree in area(s) within the humanities and social sciences
– Past success working collaboratively in interdisciplinary environments
– Extensive project management experience
– Experience with a technical area of digital humanities, such as data visualization, text analysis, digital pedagogy, geospatial humanities, data curation, network analysis, or scholarly communication
– In depth familiarity with the most recent scholarship in the digital humanities
– Extensive experience with grant writing and management including financial and activity reporting
– Ability to monitor grants, budget, and expenditures to ensure that targets are met
– Two years of supervisory experience including handling personnel and recruitment actions
– A commitment to open-source code, open-access scholarship, and public education

COMPENSATION
Commensurate with experience and qualifications

BENEFITS
CUNY offers a comprehensive benefits package to employees and eligible dependents based on job title and classification. Employees are also offered pension and Tax-Deferred Savings Plans. Part-time employees must meet a weekly or semester work hour criteria to be eligible for health benefits. Health benefits are also extended to retirees who meet the eligibility criteria.

HOW TO APPLY
Please apply by visiting this link on CUNYFirst

Click on “Apply Now” which will bring you to the registration screen. If you are a new user, you must register to apply. If you already have a user ID, please use your existing ID to apply. Make sure to upload a cover letter, resume, and 3 professional references (name, title, organization, and contact information) by the closing date, May 21, 2015.

OR

Go to http://cuny.jobs/ and search for Job ID 12661. Follow the directions above and send all materials in by by the closing date, May 21, 2015.

MFA 2015 Thesis Exhibition, Opening May 8


Disjecta: 8371 N Interstate Avenue, Portland, Oregon 97217
May 8 – May 31, 2015
Opening: Friday, May 8, 2015, 6:00-9:00 p.m.
Gallery Hours Friday–Sunday, Noon–5:00 p.m.

The University of Oregon Department of Art 2015 MFA thesis exhibition presents the culminating work of ten master of fine arts graduate students. In writing the exhibition essay to accompany their work, Christie Hajela, graduate student in the UO Department of the History of Art and Architecture, says, “Collectively, the third-year MFA students invite us to explore the possibilities of the spaces in between their similarities and differences. There are no strict physical boundaries demarcating the end of one artist’s work and the beginning of another’s in this exhibition, and this nebulous “in-between” space ultimately aligns with the thematic intersection of these artists and their otherwise eclectic practices.”

The Department of Art’s interdisciplinary graduate program encourages students to work across disciplines, with focus in areas of sculpture, photography, painting, drawing, printmaking, digital arts, ceramics, fibers, and jewelry and metalsmithing. The MFA program is a three-year course of study that involves rigorous studio investigation, critical discourse, and conceptual development. Emphasis is placed on developing a curriculum tailored to the needs of the individual student while encouraging exploration and risk-taking

In the catalog, Hajela cites the work of French philosopher Jacques Derrida (1930-2004) and his essay “Différance.” In an excerpt from her essay, she says, “Derrida describes the structure of his discussion of differance through ‘assemblage,’ which reflects the ‘structure of an interlacing, a weaving, or a web, which would allow the different threads and different lines of sense or force to separate again, as well as being ready to bind others together.’ ” Viewers are invited to visit the exhibition, pick up an exhibition catalog that includes the complete essay and images of the work, and learn more about the explorations of the UO’s newest contemporary artists.

For more information, please contact UO Department of Art at 541-346-3610, or director of graduate studies, Christopher Michlig, assistant professor, at cmichlig@uoregon.edu.

Exhibiting Artists:

Farhad Bahram
Fei Chen
Matt Christy
Alex Krajkowski
Anne Magratten
Andrew Oslovar
Brandon Siscoe
Megan St. Clair
John Tolles
Jessie Rose Vala

Student Perspective: SOJC’s New Media and Democracy Conference

laura straitLaura Strait is a PhD student of Media Studies in the School of Journalism and Communication at the University of Oregon. She recently co-organized the New Media and Democracy Conference with Dr. Bish Sen, and fellow PhD student Patrick Jones. The conference investigated the changes in global political discourses and practices brought about by the digital revolution. The event was part of the Wayne Morse Center’s theme of inquiry on Media and Democracy. Below, Laura discusses the goals of the conference as well her own experience in organizing the event.


Co-organizing the conference with Dr. Bish Sen and Patrick Jones, was a fantastic experience in bringing cutting-edge international and interdisciplinary theoretical developments into a focused conversation about the current state of “new media and democracy.” The conference aimed to answer a number of questions: How do new media function as an instrument of democratic politics? What role can new media play in the formation of a public sphere? And, to what extent do digital technologies and practices create the conditions for new forms of participatory politics?

Dr. Sang Jo Jong of Seoul National University began this conversation as the keynote speaker, highlighting issues of internet and access in contemporary South Korea. This was taken up early the following day with a panel on informational institutions and their political implications, and followed by localized international work on various forms of new media and their political implications. All of the presentations were so fantastic, and I look forward to any further communication and/or collaboration between such distinguished scholars.

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Tarek El-Ariss participates in a discussion at the New Media and Democracy Conference
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Guest speakers Camille Crittenden and Leah Lievrouw participate in the New Media and Democracy conference.
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Matthew Adeiza and Joseph Straubhaar at the New Media and Democracy conference.
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Guest speaker Leah Lievrouw leads discussion at the New Media and Democracy conference.
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The guest speakers for the New Media and Democracy Conference (L to R): Tarek El-Ariss, Joseph Straubhaar, Camille Crittenden, Aswin Punathambekar, Purnima Mankekar, Leah Lievrouw, and Matthew Adeiza

 

For more information about the conference and guest speakers, please visit the conference website here.

 

April Shelfie Feature: Sam Moore

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Sam Moore, shown here atop a bus, looking for re-photographic sites while doing fieldwork at Kruger Park in South Africa, Summer 2014.

 

Sam Moore
MA Candidate, Environmental Studies
College of Arts and Sciences

 

 

 


 Thesis Research
I’m at work finishing up my thesis, an examination of environmental history and wildlife management in the Kruger National Park, South Africa. I explore how the landscape of this savanna changes according to ecosystem cycles and intensive management interventions—changes which are bound up in the broader diffusion of African wildlife into international conservation policy and pop culture. My research methods have been diverse, including interviews, archive work, re-photography, and GIS.

This project would not have been possible without a unique blend of old and new media. Slogging through quintessentially dusty manuscripts in Kruger’s archives fulfilled only a part of the history I needed to assemble—the rest, especially the park’s connections to international systems of science and conservation, required a range of online research tools and archives. I pored through obscure youtube videos of old news footage, searched official and unofficial newspaper and image databases, linked historical sites to coordinates in satellite imagery, and monitored the park’s amateur historian Facebook page. All these methods placed my research into a nebulous area where the medium and validity of the archive itself was often suspect, and metadata usually absent.

NMCC Influence
The intersection of my thesis with coursework in the New Media and Culture Program has led me to wonder about and examine the way that seemingly antiquated rhetoric and imagery (in this case tied explicitly to colonial tropes and philosophies) can diffuse in unprecedented ways through uniquely modern channels of communication. Stereotypes about African nature dating back through apartheid to the British empire are recycled and reinforced in many digital places, expected and unexpected—on travel websites, online petitions and email lists, on my Facebook newsfeed, and in the millions of photographs on Flickr, Instagram and other platforms that knowingly or unknowingly reference the imagery of the past. I got to test drive some of these ideas in Bish Sen’s wonderful History and Theory of New Media seminar, and I played with new ideas about how to depict and challenge landscape stereotypes in John Park’s class, Programming for Artists.

 Some Good Reads || Useful New Media Resources

Archive.org
One of the best places for locating old texts, at least the ones I’ve been looking for, has been Archive.org. The sites digitized collections from participating libraries has some rare, full color PDFs of resources that I would never be able to access otherwise.

For example, check out this 1908 Journal of the Society for the Preservation of the Flora and Fauna of the Empire, courtesy of Harvard’s Museum of Comparative Zoology: https://archive.org/details/journalofsociety1908soci

In terms of cultural diffusion, nothing is better for chasing down leads than Youtube: https://www.youtube.com/watch?v=Kvd6fVH9a4o

Here, a hardy leadwood tree (Combretum imberbe) photographed 60 years apart, on the left in c.1950 during the wet season, and on the right from this past August, when I found it during my visit to South Africa in the dry season (Figs. 1-2).

sam moore tree 1
Fig. 1 Leadwood tree (Combretum imberbe), 1950
sam moore tree 2
Fig. 2 Leadwood tree (Combretum imberbe), 2014.

 

What’s on your shelf? Interested in being the next NMCC Shelfie feature? Contact us!

 

 

Call for Papers: Ada Issue 9: A Journal of Gender, New Media, and Technology

Ada: A Journal of Gender, New Media, and Technology | adanewmedia.org
Issue 9, April 2016

Ada invites contributions to a peer-reviewed open call issue featuring
research on gender, new media and technology. They are particularly
interested in contributions that exemplify Ada’s commitments to politically
engaged, intersectional approaches to scholarship on gender, new media and
technology

Contributions in formats other than the traditional essay are encouraged;
please contact the editors to discuss specifications and/or multimodal
contributions.

All submissions should be sent by AUGUST 10, 2015 to editor@adanemedia.org.
Your contribution should be attached as a word document. Please use “Ada
Open Call Contribution” for your subject line and include the following in
the body of your message:

A 50 word abstract
Your name
A mailing address
Preferred email address.
Important dates:

–       Deadline for full essays: August 10, 2015
–       Open peer review begins: January 16, 2016
–       Expected publication date: May 1, 2016

TOMORROW & FRIDAY: 11th Annual Art History Research Symposium “Bodies in the City: Otherness and Urbanism”

 

KEYNOTE: Thursday, April 23, 2015. 6-7pm,
Ford Lecture Hall,
Jordan Schnitzer Museum of Art

Khullar_jacketimage01The 11th annual art history research symposium “Bodies in the City: Otherness and Urbanism begins tomorrow with a keynote address by Doctor Sonal Khullar of the University of Washington. She will give a lecture titled “Scale Drawing: Globalization and Contemporary Art in South Asia.”

Doctor Sonal Khullar is an assistant professor of South Asian art at the University of Washington in Seattle. Her research and teaching focuses on global histories of modern and contemporary art, feminist theory, and postcolonial studies. Her first book, Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990, will be published by the University of California Press in spring 2015.


SYMPOSIUM SCHEDULE: 

Thursday, April 23
Reception at the Ford Lecture Hall, Jordan Schnitzer Museum of Art, 4:30-5:30pm

Keynote, 6:00-7:00 pm

 Friday, April 24, 2015

All events on Friday will be held in the Ford Lecture Hall at the Jordan Schnitzer Museum of Art.

Student Presentations

Student Presentations will last twenty minutes each, and will be followed by a ten minute question and answer period. Presenters listed in order of appearance.

Morning Session Welcome 10 am

Caroline Parry and Mackenzie Karp, symposium co-chairs

10:15 am-11:15 am
Othered Spaces
Presenters in the first session will explore themes of othered spaces, public or private.
These presentations will address cultural, political and gender issues which are reflected in the domestic spaces of Pompei and in late-nineteenth century smoking rooms.

Welcome and Keynote Introduction

Mackenzie Karp and Caroline Parry, Symposium co-chairs

Sonal Khullar, Assistant Professor, Division of Art History, University of Washington

Title: “Scale Drawing: Globalization and Contemporary Art in South Asia.”

Sara Berkowitz
Constructing Deviance:
Representing the Hermaphrodite in Pompeian Domestic Space Ph.D. Candidate, Art History, University of Maryland, College Park

Katie Loney
Appropriating the “Orient” in the Moorish Smoking Rooms of Cornelius Vanderbilt II M.A. Candidate, Art History, University of Indiana, Bloomington

11:15 am- 12:45 pm
Cultural/Globalized Other:
Presenters in this session will discuss otherness as engaged with cultural identities and global awareness.

Amy Catherine Hulshoff
Francisco Goitia: A New Line of Sight from San Carlos to Oaxaca University of Arizona
M.A. Candidate, Art History, University of Arizona

Catherine Popovici
Ruffled Feather: Indigenous Stereotype and Aesthetic Commodity
M.A. Candidate, Department of Art History, The Pennsylvania State University

Boyoung Chang
Perceiving Oneself as “the Other”: Contemporary Korean Photography’s Exploration of Identity
Ph.D. Candidate, Department of Art History, Rutgers, The State University of New Jersey

Lunch Break
12:45 pm – 1:30 pm

Afternoon Session
1:45 pm – 3:45 pm
Gender and Sexual Identities
Presenters in this session will discuss the representation of otherness as an issue of gender and sexuality. Themes addressed in these papers will include queer culture, racial and sexual difference, and feminist history and theory.

Aubrey Hobart
Beyond “Sodomy”: Reading Queer Desire in Colonial Urban Mexican Art
Ph.D. Candidate, History of Art and Visual Culture, The University of California, Santa Cruz

Melanie Saeck
The Haunting Failures of Queer Surrogate Identification: Romaine Brooks’s 1936 Portrait of Carl Van Vechten
Ph.D. Candidate, History of Art and Visual Culture, University of Wisconsin, Madison

Arielle M. Myers
Gendered Nationalisms and Strategic Essentialism in Maja Bajević’s Women At Work – Under Construction
M.A. Candidate, Department of Art History, University of Colorado, Boulder

William J. Simmons
Jeff Koons and Second Wave Feminism
Department of Art History, The Graduate Center, CUNY

3:45 pm – 4:00 pm Closing Remarks

For more details visit the Art History Association’s event page: http://blogs.uoregon.edu/uoaha/symposium/

CODE: Debugging the Gender Gap

CODE is a documentary that exposes the dearth of American female and minority software engineers and explores the reasons for this gender gap.  CODE raises the question: what would society gain from having more women and minorities code?…

CODE debuted at the Tribeca Film Festival on April 19, 2015.  Vauhini Vara of The New Yorker  has written an insightful review of the film and its depiction of the history of gender imbalance in  the coding world. An excerpt from Vara’s article “‘Code’ and the Quest for Inclusive Software,” is included below.

“‘Code’ and the Quest for Inclusive Software,”
Vauhini  Vara, The New Yorker, Published April 19, 2015.

A couple of years ago, Robin Hauser Reynolds, a filmmaker and photographer in the Bay Area, learned that her daughter, who had been taking computer-science classes, had decided that she wasn’t cut out to pursue computer science as a career. In one particular class, in which there were only a few female students, she felt that she didn’t fit in. She also perceived herself to be doing poorly, despite getting decent grades. “She called home a couple of times and said, ‘Hey, Mom, I’m so bad at this, this is horrible, I hate it.’ And meanwhile I’d seen a bunch of newspaper articles that said, ‘Hey, if you want a job out of college, you should study computer science,’” Reynolds recalled. She began seriously contemplating a question that has occupied Silicon Valley executives for the past couple of years: Why aren’t there more female programmers in the U.S., and what can be done about it?

The result of Reynolds’s inquiries was screened at the Tribeca Film Festival on Sunday, with the première of “Code: Debugging the Gender Gap,” a documentary that aims to make sense of the dearth of women in computer science. “Code” has already received disproportionate amount of attention for a documentary by a relatively unknown filmmaker; Reynolds and her film, which was financed partly through a crowdfunding campaign, had been profiled in a number of major publications well before the première, reflecting the broad interest in the tech industry’s diversity problem. Last year, several Silicon Valley companies acknowledged, for the first time, just how few women they employed in tech positions (fewer than twenty per cent, in most cases). In January, Intel pledged to spend three hundred million dollars, over five years, to make its workforce more diverse, and in February, a discrimination lawsuit brought against the venture-capital firm Kleiner Perkins Caufield & Byers by a former employee, Ellen Pao, went to trial, revealing sexist and gendered attitudes on the part of some of the firm’s most prominent executives.

To those who have been following the discussion, some of the ground that the film treads will seem well worn. “Code” describes how women engineers, including Ada Lovelace and Grace Hopper, were influential in the early years of computer science, but have become footnotes in an official history that privileges the work of male engineers. It documents the rise in the proportion of computer-science graduates who were women through the mid-eighties, and attempts to explain the precipitous decline that has taken place since then, from nearly forty per cent to less than twenty per cent. (Some of the film’s interviewees propose that the prototypical image of the antisocial, uncool male nerd that emerged in pop culture during the eighties might have discouraged women from pursuing computer-science degrees.) And it highlights some of the ongoing attempts to change the proportions: a conference named after Hopper; a curriculum change at Harvey Mudd College; a number of nonprofits recruiting female students, from diverse backgrounds, to learn to program.

Read more…

To learn more about the CODE documentary visit the official website here.