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“Visual Justice: Democratized Video as Evidence”

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Visual Justice: Democratized Video as Evidence

Thursday, April 24, 5 P.M.
110 Knight Law Center

How can video documentation of injustices, such as cell phone videos, be used as evidence in court and other forums for human rights advocacy? Learn from examples in Syria and other locations across the globe where video has been used to secure prosecutions of the guilty or exonerations of the innocent.

Kelly Matheson is Senior Attorney and Program Manager for WITNESS, an international human rights organization that specializes in using video to support change in human rights practice, policy and law. Matheson is an attorney, filmmaker and human rights activist. She also is a 1999 alumna of the University of Oregon School of Law.

Sponsored by the Wayne Morse Center for Law and Politics, Cinema Pacific, and the Good Works Film Festival.

This event is free and open to the public.

A Celebration of the James Blue Archive

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The UO Libraries Special Collections and University Archives and Cinema Pacific invite you to join us in a tribute to University of Oregon alumnus and award-winning filmmaker James Blue.

 

 

Wednesday, April 23, 2014

4:00pm
Knight Library Browsing Room
1501 Kincaid Street
UO Campus

– Acknowledgement of the gift of the James Blue Archive from the James and Richard Blue Foundation

– Guest speaker Christina Kovac, superviosry motion picture preservation specialist at the National Archives, speaking on film preservation techniques and the preservation of James Blue’s films.

7:00pm
Jordan Schnitzer Museum of Art Lecture Room
1430 Johnson Lane
UO Campus

– A screening of James Blue’s film Kenya Boran, with codirector David MacDougall

Additional James Blue Tribute events are planned for April 24 in Eugene and April 25-26 in Portland. For the full schedule, visit: http://jamesblue.uoregon.edu/cinema-­‐pacifics-­‐tribute-­‐to-­‐james-­‐blue/

Cinema Pacific featuring Focus: Taiwan & Focus: Chile

 

Cinema PacificCheck out Cinema Pacific, an annual spring festival featuring films and new media from Pacific-bordering countries.  The festival runs from April 23rd-27th, 2014.

Full details for this year’s festival, featuring Focus: Taiwan and Focus: Chile, are available at http://cinemapacific.uoregon.edu/

Cinema Pacific is a collaborative effort between the University of Oregon and the Eugene community. Administered by Graduate students in the UO Arts and Administration Program, who work alongside undergraduate interns, Cinema Pacific utilizes venues across campus and Eugene for a five-day festival of screenings, live multimedia performances, and art exhibitions.

“New Media and the Museum” at CUNY

The Graduate Center
365 Fifth Avenue
1201: Elebash Recital Hall
April 22, 2014: 6:30 PM-8:00 PM

ADMISSION: Free

RESERVATIONS: 212-817-8215 or Reserve Now

Description

How are cultural institutions using innovations in design to capture and retain public attention? This discussion explores ways in which museums are using digital media to connect audiences with places and one another. Guests include Paola Antonelli, senior curator of architecture and design at the Museum of Modern Art; Sebastian Chan, director of digital and emerging media at Cooper-Hewitt National Design Museum; and Sree Sreenivasan, chief digital officer at the Metropolitan Museum of Art. Moderated by the Graduate Center’s Lev Manovich.

See more at: http://www.gc.cuny.edu/Public-Programming/Calendar/Detail?id=22751#sthash.z4F5Nuc1.3FabprWk.dpuf

“Global Feminisms in Media Development” with Gabriela Martínez

Gabriela Martínez / photo by Jack Liu

CSWS Noon Talk: “Global Feminisms in Media Development” with Gabriela Martínez
Wednesday, April 16, 2014
12:00-1:00pm
Hendricks Hall 330
Jane Grant Room

This talk looks at the different ways in which “feminism” gets to be articulated around the world, and in particular in the developing world, through media development. It also reveals how grassroots media development and other media discourses contribute to the empowerment of women and minority communities. Presented by Gabriela Martínez, associate director of CSWS and associate professor in the School of Journalism and Communication.

Assistant/Associate Professor in Game Studies, UT Dallas

We seek candidates for a position in game studies, design, or development, with an outstanding record of teaching and scholarship or game development. Candidates must hold an MFA or PhD at time of appointment. Areas of expertise may include but are not limited to digital game design, game programming, games and cognition, simulation, educational and serious games, interactive narrative, and new media studies. We welcome applications from candidates working both in the digital games industry and in academia. We are interested in candidates with a background in a variety of academic fields, including computer science, education and learning, the humanities, or cognitive science. The successful applicant will enhance and contribute to the numerous ongoing research projects in Arts and Technology.

Qualifications for Assistant or Associate Professor in Game Studies

  • PhD or MFA in appropriate field
  • A record of scholarly publication and/or funded research sufficient to merit appointment
  • Commitment to collaborative, interdisciplinary education promoting the convergence of the arts and humanities with advanced digital technology and engineering
  • Professional experience highly desirable 

Selection process begins May 1, 2014 and continues until position is filled. The search committee will not consider incomplete applications. Qualified applicants could receive a joint appointment in one of the program’s partnering Schools. The appointment for the position will begin August 1, 2014. Indication of gender and ethnicity for affirmative action statistical purposes is requested as part of the application.

To apply for this position, go to http://provost.utdallas.edu/facultyjobs/pap130312
For further information concerning the School of Arts and Humanities and its programs, visit http://www.utdallas.edu/ah/

Writing Internship for Harvestworks Digital Media Arts Center, NY

harvestworksJOB | NON-PROFIT:
Writing Internship For Harvestworks Digital Media Arts Center

Harvestworks offers several internships, in return for time worked, interns can enroll without charge in our internationally acclaimed classes, gain teaching experience through our “Interns Teach Interns” initiative, and receive access to lab equipment free of charge. Individual arrangements (e.g. in compliance with the requirements of your school) up to a full-time position, or positions for credit, can be made if necessary. We’re looking for a new intern who has writing experience and an interest in art/technology. The ideal intern will be great at finding new and useful content from around the web that would be of interest to the Harvestworks audience (e.g. new music, new media art, sound art, hacks, performance videos, new technologies and software, Internet culture, etc. …). The intern will then be in charge of daily blog posts, but will also have the opportunity to work on Harvestworks projects and performances.

Work from distance is not a problem but we strongly encourage NY-based people to meet at Harvestworks and become part of the community.

Ideal writers should already be active on social media platforms. We are looking for writers who are willing to build on our existing platform to connect and grow their audience as they develop their personal and professional skills, learn about art and technology, and become part of a larger art community. Most importantly, their passion must show through!

The deadline to apply is April 12, 2014.  See full details at http://www.harvestworks.org/writing-internship/

Copyright and Media Pluralism in China

Copyright and Media Pluralism in ChinaFriday, April 18, 2014
8:30-9am Registration
9-4:30pm Symposium
UO School of Law Room 142

China’s media and entertainment industries are increasingly privatized. How do copyright and big media business affect China’s traditional model of central state media control?

This one-day conference proposes to explore these and related questions concerning the complex interplay between Chinese political philosophy and the emerging private media sector. 

Presented by the UO School of Law and cosponsored by the Oregon Review of International Law, the Confucius Institute for Global China Studies, and the Wayne Morse Center for Law and Politics.

http://law.uoregon.edu/homepage/symposuim_schedule/