Category: University of Oregon

Event: Break The Game | film screening and director Q&A

Join the SOJC’s Game Studies minor for an evening with Jane Wagner, director of a new documentary about legendary Zelda speedrunner Narcissa Wright.

When: Thursday, May 30 at 4:30 PM

Where: EMU, Room 214 (Redwood)

What: Film screening and Q&A with the director

Sponsored by the Game Studies Minor, Media Studies Area, SOJC, UO Esports Program, Price Science Library, and the New Media and Culture Certificate

Description: Video games and the community around them have meant everything to Narcissa Wright. Her quests to set speed run records in numerous game titles have allowed her to own competitions and stages across the globe. But as much as she loves the challenge of conquering virtual worlds, her biggest challenge will come from the community whose love and affection she yearns for as she comes out as transgender. Hell-bent on setting a new speedrunning world record in The Legend of Zelda: Breath of the Wild, Narcissa struggles to balance the volatile nature of internet fandom and the prospect of building a fulfilling life outside the confines of pixels and sprites.

NMCC Alumna Returns for Guest Lecture

NMCC and Art History Alumna Emily Lawhead (PhD ’22) returns to UO to give the annual Gordon Gilkey Lecture for the History of Art and Architecture dept. Her presentation will share forthcoming research on AI and photography.   Please join us on Wednesday, May 22, at 5:30 to hear her wonderful and timely research.

“Art, Technology, and Discontent: Artificial Intelligence and the History of Photography” 5:30 pm, Wednesday, May 22, Pacific 123

Emily Lawhead (PhD ’22), Associate Curator of Modern and Contemporary Art, Utah Museum of Fine Arts

Abstract: Heated debates have followed the emergence of new technologies in art for centuries. In fact, today’s discourse surrounding AI mimics historical reactions to and the trajectory of photography as an artistic medium. This talk will draw on the history of photography a data-based medium that has laid the groundwork for considering AI as a critical field of art history.

Spring 2024 Data|Media|Digital Symposium

The annual Data|Media|Digital Graduate Student Symposium returns for its 6th edition on April 19, 2024.

Join us in the Knight Library DREAM Lab for a full day of presentations on a wide range of topics related to data studies, media studies, and digital studies, showcasing the exciting multi-disciplinary work being produced across campus.

DMD graphic with monospace font and typographic motifs resembling computer code

09:15-09:30a  Arrival, morning coffee/pastries
09:30-09:45a  Opening Remarks and Welcome

 

D|M|D Grad Symposium organizers: 

  • Mattie Burkert (CAS/English & Digital Humanities)
  • Maxwell Foxman (SOJC/Media Studies & Game Studies)
  • Courtney Cox (CAS/Indigenous, Race, and Ethnic Studies & Black Studies)

 

09:45-10:45a

 

PANEL A: Digital 

  • Andrew J. Wilson (SOJC), “‘God Bless the South, Brother’: A Paratextual Analysis of War of Rights Steam Reviews”
  • Will Arangelov (SOJC), “Developing Relationships and Self-Disclosure in the Gaming World: A Case Study on the Discord Platform”
  • Intisar Alshammari (English), “Digital Medievalism in the Classroom: Beowulf as a Model”
10:55-11:45a

 

FACULTY RESEARCH SPOTLIGHT

  • Courtney Cox, IRES
  • Lana Lopesi, IRES
12:00-01:00p Lunch for presenters (Bartolotti’s Pizza in EMU)
01:15-02:30p  PANEL B: Media 

  • Emrakeb Woldearegay (SOJC), “Making Dissent Visible through Facebook Activism? The Tale of Three Ethiopians”
  • Stephen Ssenkaaba (SOJC), “Challenging Mainstream Media Narrative through Podcasting: The Case of Uganda’s Youth Podcasters”
  • Asher Caplan (Philosophy), “A Conduct-Based Inquiry Epistemology: John Dewey and the Educationist Response to Disinformation”
02:30-03:30p Abstract workshop and coffee/snack break
03:30-04:45p PANEL C:  Data

  • Nishat Parvez (SOJC), “Examining How Data Journalists in Bangladesh Keep Reporting Honest: Transparency, Ethical Data Visualization, and Protecting Secrets in Investigative Journalism”
  • Maxim Shapovalov (Geography), “Role of Surface Albedo for Explaining Differences of Modeled Greenland Ice Sheet Melt”
  • Genevieve Pfeiffer (English), “What’s Language Got to Do with It? Human-Language Model Entanglement”
  • Audrey Kalman (SOJC), “Denim Archive: Making Meaning of Clothing and Identity through Documentation”

NMCC Spring 2024 Course Listings

now live! spring 2024 course listingsBelow is the NMCC’s pre-approved course list for the spring 2024 term:

 

If you are curious if a course not listed on the website can count towards the certificate, please check out our course petition process or contact us at nmcc@uoregon.edu for more information.

Winter Workshops & Events from Data Services

The UO Libraries’ Statistical Help Desk is available this term Monday – Friday 11 am – 4 pm in the DREAM Lab and by appointment (in person or via Zoom). We offer free help with data management, statistics, R, SPSS, Python, GIS, version control, Excel, and qualitative software like Dedoose and Qualtrics. 

Data Services also offers free short workshops on technical and research skills. This term, we are offering workshops on R, Python,  the Unix command line, and more. Our Friday lunch chats (Coffee + Data && Code) offer a great opportunity to meet folks interested in data and code, while our Coding Circles are casual co-working spaces for chatting about programming projects.

Our seminar watch series, Talking Data, involves watching a talk and then discussing as a group. Topics range across disciplines- see the event listing for more details on topics we are covering this term. Our Data Book Club will be discussing Caroline Perez’s Invisible Women: Data Bias in a World Designed for Men. Drop-ins welcome!

Eyes on Work workshop for humanities scholars

“Eyes on Work,” is an interdisciplinary arts workshop for sharing and critiquing humanities scholarship at the UO.

Format. All faculty members (TTF, NTTF, Visiting Instructors) and ABD graduate students working on the history and theory of the arts, literature, and media are welcome to circulate substantial written work-in-progress in order to receive constructive critique from colleagues and students at workshop meetings.

  • The workshop will meet three (3) times per academic term. The duration of each meeting will be 90 minutes, followed by refreshments.
  • To give workshop attendees ample time for reading, each presenter will circulate work two (2) weeks in advance of the meeting, with the option of a short paragraph contextualizing the work for readers.
  • The presenter may begin each meeting with brief remarks contextualizing the pre-circulated work (no more than 15 minutes). In the remaining time, attendees will share comments, enabling the presenter to reassess contents, organization, framework, argumentation, and other relevant aspects of the work.

Pre-circulated work. To ensure high-quality engagement and feedback from participants, pre-circulated work should be substantial scholarship in progress between 15 to 40 pages. Examples are dissertation and book chapters, drafts of articles or full-length lectures. (Documents pertaining to professional developments such as job applications, grant proposals, and dissertation prospectuses are not appropriate for this venue.)Workshop meeting. The purpose of the workshop is to share and critique written work-in-progress by faculty members and ABD graduate students. To allow optimal time for discussion of the pre-circulated work, there will be no formal presentations at the meetings, and contextualizing remarks by the presenter will be kept at a minimum. Workshop attendees are expected to demonstrate respect for the presenter’s scholarship by reading the pre-circulated work in advance, and by offering comments and suggestions at the meeting.Scholarship before professional status. We believe that 1) respectful challenges produce excellent scholarship and that 2) excellent scholarship comes before institutional hierarchy. Regardless of professional status within the university, we ask that workshop participants treat each other as scholarly equals by respectfully challenging each other’s work, with the goal of strengthening and refining it for eventual publication.Organization. Following the University of Chicago’s model, “Eyes on Work” will be organized by two graduate coordinators, responsible for programming, circulating work, and organizing snacks and drinks. In addition, two faculty sponsors will volunteer to commit to attending all meetings of a given quarter (3 total). The faculty sponsorships can rotate on a quarterly basis; the graduate coordinators can rotate on an annual basis to allow for disbursement of stipends.

If you are interested, help find the best time slot by answering this Qualtrics survey (3 questions; estimated time for response is 30 seconds). https://oregon.qualtrics.com/jfe/form/SV_9L8ReNTJUHuDzcq 

Job Opportunity: Assistant Professor – Communications Technology (Performing and Fine Arts): York College/CUNY

FACULTY VACANCY ANNOUNCEMENT

York College, founded in 1966, is a center of academic excellence in the heart of Jamaica, Queens. One of the eleven senior colleges in The City University of New York, the College’s mission is to enrich students’ lives by fostering an environment where they’ll grow into passionate and engaged learners.

York’s academic programs are housed in three schools: The School of Arts & Sciences, The School of Business and Information Systems, and The School of Health Sciences and Professional Programs. Over sixty baccalaureate programs from across a variety of disciplines, including accounting, aviation management, business, computer science, journalism, social work, teacher education, a dual BS/MS degree in Occupational Therapy, and one of the top-ranked nursing programs in New York State, provide students with opportunities to study liberal arts, sciences, and professional programs. The College also offers five graduate programs: Aviation Management, Clinical Trials Management, Pharmaceutical Science and Business, Physician Assistant, and Social Work.

Located in Queens, the most ethnically diverse county in New York State, the College enrolls 7,000 students from over 95 nations. Nine out of ten students are members of a racial/ethnic minority group, and more than half of undergraduates are the first in their families to pursue higher education.

The College’s 50-acre campus encompasses seven buildings, including science and computer labs, music and television studios, a Performing Arts Center, and a Health and Physical Education Center. The College recently completed seven major construction projects, with more scheduled for the future. In addition, its neighborhood is at the center of a renaissance fueled by economic revitalization.

York College is committed to fostering integrity, diversity, intellectual discovery, and civic engagement to benefit its students, the community, and the world.

The Department of Performing and Fine Arts at York College invites applications for a full-time tenure track Assistant Professor position for the Communications Technology program to begin Fall 2024. The program is seeking creative and innovative scholars with a specialty in media design, animation, and interactive media.

The Communications Technology B.S. is a comprehensive interdisciplinary digital media program with two core concentrations of Television Production and Web Design & Development. Our curriculum is heavily based on new developments in technology, as well as the foundations of each concentration. Students are prepared for masters degree programs or placement in entry-level positions for traditional or integrated media careers.

Responsibilities and duties:

  • Teaches a range of media courses (Animation, film, media installation, interactive media)
  • Participates in curriculum development
  • Engages in visionary program building
  • Maintains creative accomplishments in digital arts
  • Exhibits / screens work and participate in professional symposia
  • Advises students
  • 18-credit teaching requirement during the academic year
  • Participates in committee work and service to the department

QUALIFICATIONS

Ph.D. degree in area(s) of experience or equivalent. Also required are the ability to teach successfully, demonstrated scholarship or achievement, and ability to cooperate with others for the good of the institution.

MINIMUM QUALIFICATIONS ·

  • MFA in Digital Art or related field
  • Strong record of professional achievement as demonstrated through a reel portfolio and website
  • At least 5 years of teaching at the college level in media / design
  • Expertise in the fields of video editing, studio production and field production;
  • Ability to direct, train, and supervise others;
  • Comprehensive understanding of digital technologies in contemporary art practice as well as television and film industries

PREFERRED QUALIFICATIONS

  • At least 5 years experience working in media industry (journalism, film, television)
  • At least 5 years experience working with animation (2D, 3D, and stop motion)
  • Experience directing and managing media studios.

COMPENSATION

CUNY offers faculty a competitive compensation and benefits package covering health insurance, pension and retirement benefits, paid parental leave, and savings programs. We also provide mentoring and support for research, scholarship, and publication as part of our commitment to ongoing faculty professional development.

$75,465- $86,645 – Salary commensurate with qualifications and experience.

HOW TO APPLY

Candidates for faculty positions should provide (i) a cover letter explaining interest in, and qualifications for, the position; (ii) curriculum vitae/resume, (iii) evidence of teaching excellence, (iv) a statement of teaching philosophy, (v) a research statement, and (vi) the names, titles, and contact information (telephone and email) for three professional references.

Please submit your application online through this job board as follows:

*Go to www.cuny.edu and click on Employment

*Select “Apply Now” then create or login to a user account and provide the requested information.

*Click on Job Postings on CUNYfirst

*Click Search job listings

*Click on More search options

*Search by Job Opening ID number 27405

*In order to be considered for this position, applicants must include a cover letter,

CV/Resume, and contact information (email and telephone) for three references. Please upload these as ONE document in rtf, doc, or pdf format.

CLOSING DATE

  • Revised: December 11, 2023

JOB SEARCH CATEGORY

CUNY Job Posting: Faculty

EQUAL EMPLOYMENT OPPORTUNITY

CUNY encourages people with disabilities, minorities, veterans and women to apply. At CUNY, Italian Americans are also included among our protected groups. Applicants and employees will not be discriminated against on the basis of any legally protected category, including sexual orientation or gender identity. EEO/AA/Vet/Disability Employer.

Job Opportunity: Post Doctoral Fellow

Description

The Atlanta Interdisciplinary AI Network is an intra-institutional network of Atlanta-based researchers who are investigating whether and, if so, how AI can be enlisted ethically, equitably, and in the service of justice. Our project draws inspiration from the place of Atlanta and from the presence of the humanities alongside technical knowledge and community expertise: https://apply.interfolio.com/136528

We are searching for a 2-year postdoctoral scholar and teacher who works at the intersection of AI and the humanities, broadly defined. In addition to participating in the activities of the AIAI Network, the position involves teaching one course in the first year and two in the second. The position will be housed in the Emory Department of English, with affiliate status in the Department of Quantitative Theory & Methods.

The annual salary for the position is $73,000 with additional research funding of $5,000 per year. In addition to salary and research funding, standard Emory benefits will be provided, including healthcare and access to library and computing support.

Qualifications

We are open to a range of humanities disciplines, including but not limited to literary and cultural studies, media studies, digital humanities, history, American studies, African American studies, women’s, gender, and sexuality studies, urban studies, and science and technology studies. More broadly, we are interested in a scholar whose work brings culture, context, history and/or theory to bear on the current landscape of data and AI. Examples of this work might include: humanistic critiques of data/AI, literary (or more broadly humanistic) theorizations of data/AI, new genealogies of data/AI, and/or data/AI-driven approaches to literature/history/culture. As the position will be primarily housed in an English department, the scholar should be interested in conversations about how their work relates to the field of literary and/or cultural studies. In addition to courses centered on their research, the scholar should feel comfortable teaching introductory courses in the digital humanities, critical data/AI studies, and/or quantitative literary analysis.

Applicants must have earned their PhD prior to August 1, 2024.

Application Instructions

Interested applicants should submit a cover letter, CV, research statement, teaching statement, diversity statement, and two letters of reference, as well as a short (i.e. one paragraph) description of an undergraduate course they might teach on the basis of their research. Applicants must have earned their PhD prior to August 1, 2024.

Please submit applications by January 16, 2024, via Interfolio at: http://apply.interfolio.com/136528

Save the Date: NMCC Annual Lecture on May 16


The 2024 NMCC Annual Lecture will be delivered by Professor Aimée Morrison on Thursday, May 16, 2024, in the UO Knight Library Browsing Room.

Professor Morrison is a faculty member in the Department of English Language and Literature at the University of Waterloo, where she supervises graduate students in New Media Studies, Critical Social Media, Photography Studies, the History and Theory of Media, and Critical Race, Gender, Sexuality, and Disability Studies.

During her visit, Morrison will deliver a talk and will be available to talk with NMCC students about new media studies, digital humanities, podcasting, critical making, accessibility, public scholarship, digital pedagogy, and more.

Call for Presentations: Data|Media|Digital Symposium

Text reading "New Media and Culture Certificate, D|MD Symposium, Applications due: January 30, April 19, 2024 | UO Knight Library DREAM Lab" is over a lavender background. There is a half sun graphic next to the text.

Description
We invite submissions from UO graduate students for 15-minute presentations on any aspect of data, media, or digital studies for a symposium in the UO Knight Library DREAM Lab on Friday, April 19, week 3 of the spring term at the Data|Media|Digital Symposium.

D|M|D is an opportunity to showcase the exciting multidisciplinary work produced by graduate students across campus. We welcome student participants to attend all of the symposium’s panel sessions to the extent their schedules allow. In addition to panels, we will have informal discussions over food and drinks, a hosted lunch, and presentations by UO faculty.

Eligibility

Presentations can be based on work in progress or research and work in the final stages of development. Proposals should specify clear scholarly or pedagogical goals and should articulate how the design or argument of a data/media/digital project might address those goals.

Any kind of data, media, or digital studies project is welcome. If you aren’t sure if your project fits our call, then it probably does, but please get in touch, and we can offer you our guidance.

Application 
Enter your submission at https://bit.ly/nmcc-dmd by 11:59 p.m. PT on Tuesday, January 30, week 4 of the winter term. The submission form will request an abstract of your proposed presentation and basic information, including any relevant research experience.

Decisions about all submissions will be shared in early February. We look forward to sustaining cross-disciplinary conversations and building an inter-departmental community at the UO.

Contact

You can share questions about D|M|D with any member of our co-organizing committee:

  • Mattie Burkert: mburkert@uoregon.edu, New Media and Culture Certificate Director
  • Courtney Cox: cmcox@uoregon.edu, Indigenous, Race, and Ethnic Studies
  • Maxwell Foxman: mfoxman@uoregon.edu, School of Journalism and Communication