Books Aren’t Dead (BAD) interview, Fembot

Books Aren’t Dead (BAD) interview for October 2014 is now uploaded on the Fembot website. In this month’s interview Lauren DeCarvalho (Assistant Professor, University of Arkansas) talks with Diane Negra (Professor, University College Dublin) and Yvonne Tasker (Professor, University of East Anglia), co-­‐editors of Gendering the Recession: Media and Culture in the Age of Austerity (Duke University Press, 2014).

You can listen to this interview here: http://fembotcollective.org/blog/2014/10/15/books-arent-dead-gendering-the-recession-media-and-culture-in-the-age-of-austerity/

BAD is Fembot’s series of monthly interviews with feminist authors of recent books on media, science, and technology. For those who are interested in participating in the ongoing BAD project please contact the BAD editor, Hye Jin Lee , or Carol Stabile.

More about Gendering the Recession (from the Duke University Press Website):

This timely, necessary collection of essays provides feminist analyses of a recession-­‐era media culture characterized by the reemergence and refashioning of familiar gender tropes, including crisis masculinity, coping women, and postfeminist self-­‐renewal. Interpreting media forms as diverse as reality television, financial journalism, novels, lifestyle blogs, popular cinema, and advertising, the contributors reveal gendered narratives that recur across media forms too often considered in isolation from one another. They also show how, with a few notable exceptions, recession-­‐era popular culture promotes affective normalcy and transformative individual enterprise under duress while avoiding meaningful critique of the privileged white male or the destructive aspects of Western capitalism. By acknowledging the contradictions between political rhetoric and popular culture, and between diverse screen fantasies and lived realities, Gendering the Recession helps to make sense of our postboom cultural moment.

The Innovators: A Group Of Hackers, Geniuses, And Geeks Created The Digital Revolution

A new book by Walter Isaacson was recently released which delves into the history of the people whose monumental accomplishments, including the invention of the computer and the internet, ushered us into the digital age. In particular Isaacson discusses the contributions of four prominent figures in monumental breakthroughs in technology: Ada Lovelace, Steve Jobs, Bill Gates, and Alan Turing.

Walter Isaacson is the President and CEO of the Aspen Institute, and  author of “Steve Jobs,” “Einstein: His Life and Universe,” and “Benjamin Franklin: An American Life.”

 

Intrigued? For more information about “The Innovators,” check out the links below:

  • To read a full review of Walter Isaacson’s book, read the NY Times book review here.
  • For a in-depth discussion of the accomplishment’s of early female programmers, including Ada Lovelace, read the NPR article “The Forgotten Female Programmers Who Created Modern Tech.”
  • To watch Stephen Colbert interview Walter Isaacson about “The Innovators,” click here.

FemTechNet.org is live at last! Plus an Exciting New Course Offering!

FemTechNet is a fantastic resource where you will find many resources for learning more about feminism, cyberfeminism, and feminist theories of technology, including videos with major scholars and subject matter experts, reading lists and bibliographies, projects to do with classmates or undertake on your own as a do-it-yourselfer, and syllabi from past and present FemTechNet classes.

FemTechNet is also a great place to connect with others who share your interests in feminism and technology!

New Course Offering!:
Interested in getting involved? Stephanie Rosen is offering a course through the Brooklyn (NY) Institute for Social Research called Technologies of Feminism. The exact dates and times are still being developed, so contact Stephanie for further details: ssrosen@gmail.com
Here’s the course description.

To learn more about FemTechNet read FemTechNet’s Manifesto, and/or visit their website.
For general inquiries about opportunities and classes at FemTechNet, email them at: femtechnetinquiries@gmail.com

JSMA Announces Experimental Media is the Theme of the 2014-2015 Season of Schnitzer Cinema

This annual film series begins on Wednesday, October 8 with “Free Radicals: The History of Experimental Media”

The 2014-15 season of the Schnitzer Cinema, curated by Cinema Pacific director Richard Herskowitz, will be devoted to American experimental media, with a special emphasis on the history of American avant-garde film.

All films begin at  7 p.m. at the Jordan Schnitzer Museum of Art on the University of Oregon campus. Free refreshments will be provided!

The series begins October 8 with a personal overview of experimental film history by filmmaker Pip Chodorov and continues on November 5, with a live “expanded cinema” projection performance of a Harry Smith film by Dennis Nyback.

The fall’s last program, on November 19, will feature guest video artist Julia Oldham. Sponsored by Cinema Pacific and the Jordan Schnitzer Museum of Art, Schnitzer Cinema returns in the spring with more classic and contemporary experimental media art.

  •  On Wednesday, October 8, the series opens with Free Radicals: The History of Experimental Media.” Avant-garde filmmaker Pip Chodorov’s affectionate overview of some of the leading figures of 20th century experimental film combines extensive film clips with conversations with such luminaries as Hans Richter, Robert Breer, Michael Snow, and Stan Brakhage.  The personal tales of the filmmakers (such as Ken Jacobs’ memories of dumpster diving), and Chodorov’s exploration of the immigrant backgrounds of artists like Jonas Mekas, give a strong sense of the socio-historical and artistic contexts of classic avant-garde films.

Following the screening, Richard Herskowitz, joined by other local avant-garde aficionados, will discuss personal experiences of encountering, being repelled by, and falling in love with experimental film and media art.

  •  On Wednesday, November 5, Schnitzer Cinema presents a live projection of Harry Smith’s “Heaven and Earth Magic” by Dennis Nyback. In 1957, Portland-born Harry Smith, legendary producer of the “Anthology of American Folk Music,” began work on a feature length cut-out animated film he shot entirely alone in a tiny East Side apartment in New York. Using his own bed as an animation stand, he appropriated images from 19th century sources to tell an eerie, visually austere, surrealistic story about a woman, a watermelon, and a toothache. Film historian Dennis Nyback researched the expanded cinema techniques Harry Smith used in presenting his film in 1961 and will recreate them in real time, moving between multiple film and slide projectors to create a layered image onscreen.
  • The fall season closes on Wednesday, November 19, with The Video Art of Julia Oldham. Casting herself in the role of lover, wanderer, and scientist, Oldham combines science fiction and dreamy mythology to create fantasy worlds that she inhabits in her videos. Her work frequently combines live action, animation and handmade costume and sets; and music and soundscape play an important role in her storytelling. Six of her short films will be screened.

For more information on this season of Schnitzer Cinema, click here.

Scalar Webinars: Announcing Our Fall Schedule

The Alliance for Networking Visual Culture will be offering a series of free online webinars this fall.

The “Introduction to Scalar” webinars will cover basic features of the platform: a review of existing Scalar books and a hands-on introduction to paths, tags, annotations and importing media. The “Intermediate Scalar” webinars will delve into more advanced topics including the effective use of visualizations, annotating with media and a primer on customizing appearances in Scalar.

The fall schedule will include six dates:

  1. Introduction to Scalar: August 21, 10am-12pm (PST)
  2. Intermediate Scalar: September 11, 10am-12pm (PST)
  3. Introduction to Scalar: September 25, 4pm-6pm (PST)
  4. Intermediate Scalar: October 9, 4pm-6pm (PST)
  5. Introduction to Scalar: October 30, 10am-12pm (PST)
  6. Intermediate Scalar: November 20, 10am-12pm (PST)

Scalar is a free, open source authoring and publishing platform that’s designed to make it easy for authors to write long-form, born-digital scholarship online. Scalar enables users to assemble media from multiple sources and juxtapose them with their own writing in a variety of ways, with minimal technical expertise required.

For more information on the Alliance for Networking Visual Culture, check out their website and learn about even more upcoming opportunities.

Why the World’s Most Talked-About New Art Dealer is Instagram

Excerpt from article by Olivia Fleming at Vogue.com:

Standing before Marc Quinn’s looming Myth Venus sculpture in front of Christie’s Rockefeller headquarters last night was a masked protester holding a large poster that read F*** U. It was a parody of Wade Guyton’s 2005 Untitled that sold for $3.52 million just hours later at the live-streamed “If I Live I’ll See You Tuesday” auction, which included 35 contemporary artworks from blue-chip names such as Richard Prince, Jeff Koons, Martin Kippenberger and Alex Israel, all handpicked by contemporary art expert Loic Gouzer, with the majority of the production on his—and Christie’s—Instagram accounts.

Guyton, who makes his art on inkjet printers and photocopiers, had used his own Instagram account over the weekend in what was quickly interpreted as a subtle threat, rather than just a cheeky response, to the auction by printing and photographing dozens of prints using the same file that produced his original inkjet on linen Untitled. He could flood the market, if he wanted to. But he didn’t and the auction, which “witnessed worldwide participation” according to Christie’s and surpassed its pre-sale target of $92.9 million to total a record- breaking $134.6 million, saw Israel’s Sky Backdrop sell for five times its estimate at $1.25 million in what was the artist’s first appearance at auction. Meanwhile Kippenberger’s Untitled sold for the world record price of $18.6 million. “Christie’s is taking contemporary art and making it go to prices that it shouldn’t,” the anonymous protester told the New York Observer. “By the time they’re 30, these artists aren’t going to have anywhere to go.” But if Gouzer’s auction has taught us anything, it is that what artists will have is Instagram.

The social media platform is not only launching the career of under-the-radar artists, it is providing the world with an entirely new way to access art. Where artists once had to first get support of the art world elite—critics, galleries and big name collectors, which would eventually lead to museum shows—before reaching the monied masses, today artists use Instagram as their own virtual art gallery, playing both dealer and curator while their fans become critics and collectors, witnessing the creative process in real time.

“I can post a painting and it will sell before the paint is dry,” explained artist Ashley Longshore, whose glossy crystal-covered canvases are regularly bought straight off her Instagram feed for upwards of $30,000. The 37-year-old is based in New Orleans but will often ship her artworks directly from her Uptown studio to London, Tokyo, and Switzerland, where she recently sold a painting to His Serene Highness Pierre d’Arenberg for an undisclosed amount. “My collectors will text and email me their credit card details, they mail checks; it is literally a frenzy to see who can whip out their AmEx first!” admits Longshore, whose nearly 2,000 Instagram followers, and subsequent clients, include the likes of Blake Lively, the former President of Time Inc. Digital, Fran Hauser, and “one of the wives” of the Rolling Stones. “Technology is the platform of my business: All I need is my iPad, my Instagram and a delivery truck to haul all of this gorgeousness to the new homes where they will hang.”

  • Hooked? To learn about more artists who are embracing Instagram as a means to successfully promote and sell their artwork, read Flemings full article on Vogue.
Ashley Longshore @ashleylongshoreart

Wi: Journal of Mobile Media: “Mobile Trash”: Call for Papers

The Wi: Journal of Mobile Media, an open-access, peer-reviewed experimental journal, is gathering contributions for their upcoming issue that will address the idea of ‘mobile trash.’

The goal of this journal is to create an interdisciplinary, international dialogue for scholars to explore the “term” mobilities in all of its many manifestations, although the history of the journal indicates an emphasis on the connection of mobilities research to media studies, the media arts and communications.

The intention of this issue is to reconfigure the concepts of ‘mobile’ and ‘mobilities’ in relation to trash, by its various definitions and formations, from new materialism, feminism, media ecology, media archaeology, and queer frameworks.

They are especially interested in short pieces (2500 words) and creative interventions that explore mobile trash as pollution, fumes, compost, satellites, e-waste, toxins, bodies, drones, viruses, hacks, landfill, etc.

Also welcome are pieces that poetically engage the politics of trash and speak to its borders, transitions, movements, materialities, shifts, contagions, ecologies, permutations, mutations, and invisible transferences.

The online issue goes live January 2016 and will be accompanied by a print-on-demand issue.

If interested: 

  • Send a 300 word abstract to info@technotrash.org
  • Include your name, personal URL, and title of submission.

 Deadline for abstracts: Nov 1, 2014.

Want to learn more about  Wi-Journal of Mobile Media? Check out their website.

For full details about the call for papers, click here.

 

 

 

Fall 2014 blog revisions under way!

Welcome back to campus! We’re looking forward to another spectacular year of all things new media. The blog will updated and ready to roll by Monday, October 6 so be sure to check back then. Our first open house will be Friday, October 10 in the Digital Scholarship Center.  In the meantime, feel free to contact us with any questions at <nmcc at uoregon.edu>. Stay tuned!

Internet Subjects: #Uberwar and the “Sharing” Economy

Thursday, June 19th, 2014 7 p.m. at the New Museum
Livestream at Rhizome.org
#internetsubjects

This event is free, with RSVP

Internet Subjects is a new series of flash panel conversations. Each takes a topic chosen just a week in advance in order to discuss emerging internet subjects and subjectivities in an engaging public forum.

This first event will focus on the social and political ramifications of the so-called “sharing” economy. There is a protest by taxi drivers happening today in cities around Europe against Uber—an #Uberwar in the wake of last week’s $18.2 billion valuation. Airbnb, recently involved in a drawn-out dispute with New York’s Attorney General, was the subject of an unauthorized ‘AirBnB Pavillion’ at the 14th Venice Architecture Biennale last weekend. In a relatively short period of time, such services generate new infrastructures outside of traditional social processes, thereby expanding markets, and the market logic itself, into previously untapped spaces. But they also challenge existing notions of labor organization, risk and domestic/private space. Is “sharing” the most accurate term for this economic process?

Join panelists Denise Cheng (MIT Center for Civic Media), Rob Horning (The New Inquiry), writer Kate Losse, and Melissa S. Fisher (Social & Cultural Analysis, NYU) as they discuss the “sharing” economy, its implications and its horizons.

Internet Subjects is presented by Rhizome, and organized by Rhizome editor/curator Michael Connor, Kate Crawford (Principal Researcher at Microsoft Research and Senior Fellow at NYU’s Information Law Institute), and Nathan Jurgenson (contributing editor to The New Inquiry, chair of Theorizing the Web, researcher at Snapchat).

See full details here

Report from the field: DSC Graduate Affiliates Program

by Ryan Eanes (Media Studies), a recent NMCC Graduate

I first became aware of the Knight Library’s Digital Scholarship Center as a student in Dr. Mondloch’s “Digital Humanities” course this past winter term. My classmates and I attended a lunch lecture presented by Dr. Terry Fisher from the Berkman Center for Internet & Society that included a brief tour of the DSC and an overview of the kinds of work being done there. When the opportunity came up to participate as a DSC Graduate Affiliate, I wasn’t sure what exactly to expect, given that it is a new program.

Four of us ended up participating; three of us were from the School of Journalism & Communication, while the fourth was from the Department of Psychology. Our meetings every week or two became an opportunity to consult with each other on our various research efforts, collaborate on projects, and to have a bit of “sandbox time” where we explored a variety of topics including secure web browsing, copyright, and networks.

While the Graduate Affiliate program is still in its infancy and there is some question as to whether it will continue or what form it will take in the future, I believe that participation presented a unique opportunity to come together with like-minded grad students who wanted to learn from each other. I would definitely encourage any grad student from anywhere in the university who is curious about digital research methods and approaches to academe to apply, should the program be repeated in future terms.